— David DeWitt
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Robert Matzen on Jack Marino's Radio Show!
Jack Marino
Warriorfilmmaker
Show tonight has guest Robert Matzen author of the new book ERROL &
OLIVIA and his last book ERROL FLYNN SLEPT HERE. So all you Flynn Fans
here is the audio of tonight's show. Join me tonight at 8PM PST &
11PM EST
www.latalkradio.com…-101510.mp3
— David DeWitt
Jack Marino at the Earl Carrol Theatre
Jack Marino
has a
pre-recorded show and talks about Tony Curtis, and those great film
scores by Korngold, Steiner, later Rosa, Rota and Morricone. Be sure to
hear the opening when Jack is sent out on a remote to the Earl Carroll
Theater.
www.latalkradio.com…-100110.mp3
— David DeWitt
From the Errol Flynn Mailbag!
Steve Genene Randell
Hi all! Well, about a week ago I finished Errol and Olivia.What a great read it was hard to put down. every morning for about 1 hour I read the book. I learnt a lot about Olivia's fight with JL She had to be 1 gutsy broad to do what she did and the things he did to her for it. But she won out in the end because of what she done her name will be used in the legal profession for all time to come. The star crossed lovers such as Errol and her were. And the many lovers they had before and since their meeting but she always say's there was that something different about Errol that glimmer in his eyes that had gone when she met him many years layer. And how she slapped his face when he approached her because she did not know her. This book is intriguing stirring, and gutsy. If you have not got your copy all ready get your hands on one. PS and there were some pics I have not seen. Here is the link if you want to get yourself a copy errolandolivia.com…
Regards, Genene.
— David DeWitt
From the Errol Flynn Blog Mailbag!
forties. My father gave me a piece of the canvas skin of an airplane
bearing the name “Scirroco III”. He told me that it was from an
airplane owned by Errol Flynn that had crashed in Alaska. He happened
on the wreckage and decided to take it as a souvenir.
small plane from the fact that it had a canvas skin. If he had such a
plane, did he crash it in Alaska?
Anybody know anything about this?
— David DeWitt
Crushing on Olivia

My mother spent 60 years in love with Clark Gable’s Rhett Butler, but never cared for the Olivia de Havilland rendition of Melanie Hamilton Wilkes. In fact, Mom called Melanie a “simp.” So this anti-Melanie bias in a home that otherwise revered the motion picture Gone With the Wind was my only exposure to Olivia de Havilland for years. Then as a freshman in college I saw The Adventures of Robin Hood for the first time, and zing went my heartstrings. I had seen widow’s peaked Melanie often enough, but the girl in the Maid Marian frocks was a different creature entirely, and in that scene where she literally lets her hair down—zowie!
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I’m sorry to disappoint you, Mom, but you just didn’t get Olivia de Havilland, because I’ll agree that in the early going earnest Melanie can come off as somewhere between bland and syrupy, but as GWTW unspools, her character is revealed to be one of utter strength and an ability to overlook human failings to see the truth in people and situations. Thanks in part to three great directors and to her own abilities, Olivia brought all that to her characterization in what was for a long time the most famous picture in Hollywood history.
I guess I’ve been writing a book about Olivia de Havilland in my head since that first time I looked up at her beautiful 30-foot-high face in the theater, with that flawless skin and those liquid brown eyes. It was a mad crush and it has never abated. We have corresponded on and off and I very much wanted her to participate in the creation of the manuscript that became the soon-to-be-released Errol & Olivia: Ego & Obsession in Golden Era Hollywood, but I never got her on board. She has always been old-school polite with me, and interested, and as earnest as Melanie, but there was an aspect where she knew she was tantalizing me with hints of a collaboration. I felt like she was trying to be enticing and even coy, but I’m a guy with a years-long crush, so there’s something grand in such enticement. I sent her a copy of Errol Flynn Slept Here to demonstrate that I’m not kidding around here; I am writing a book about Errol and Olivia. I sent her a detailed list of questions about Errol and their work together and their relationship offscreen. Questions about his scene stealing and insecurity and their date at the coronation ball and did he ever take her to Mulholland Farm?
When I realized after more than a year and a half that she wasn’t going to help me, as I recount in Errol & Olivia, it hit me hard, and like a jilted suitor, I let the disappointment color my writing to such an extent that when I showed the manuscript to colleagues, one of them wanted to know why I had written such a harsh book about Miss de Havilland. “After all,” said my colleague, “if at her age she doesn’t want to tell her story, that’s her right.” It was a simple fact that had eluded me, and I stepped back and realized that there was a chip on my shoulder, and I didn’t even know it. I believed I was telling a story that pulled no punches about either her or Errol (because I try to be a serious journalist, etc.), but when I went back and re-read it, I could see that I had gone astray.
So I fixed the problem. I think that, except for a few key passages, I wrote a book that Olivia can’t argue with, because the scholarship is rigorous and much of what’s there comes out of her own mouth. I’ve drawn a conclusion or two that I’m afraid she’s not going to like, but I admire her deeply. I admire her superficially for being the dish who won my heart as a freshman in college. I admire her deeply for being the fighter, and loner, and winner, and uncompromising survivor whom I discovered through the course of my research. This woman made a big stink for better roles in a studio run completely by men. This woman took major chances with her career and could have been banished from the picture business. This woman beat that great bully Jack Warner in court. This woman won two Best Actress Academy Awards in four years. This woman survived some very hard personal times and just celebrated her 94th birthday.
Yes, Mom had it wrong, but I think I ended up getting it right, and the crush endures.
— Robert Matzen
About Jack Marino
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Jack Marino Warrior Filmmaker JACK MARINO |
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Jack Marino is originally from Everett Massachusetts. This typical working class city at that time was made up As a young boy his Father took him to see all those great A student of the Boston Catholic school system his early After the play shut down he got into his 1971 Dodge During the next four years he formed two production Jack has been married now for thirty-one years to a By the way, he still has that '71 Dodge Charger, still has ja********@***************rs.com… NOTE: I am on a short hiatus from my show because of my wife's sudden illness. I will return to my show and LA TALK RADIO. |
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| One of LA Talk Radio's family members, Jack Marino from Warrior Filmmaker, has recently encountered a great tragedy in his life. His beautiful bride of 32 years, Louise, recently suffered a stroke and has been in a coma ever since April 30. On behalf of Jack and his family we ask for your prayers and support. At present time, there is no long term financial solution in place to fund the ongoing medical expenses for Louise's care. A fund has been established in her name to provide support to meet Louise's future medical expenses. If you would like to support Louise, please go to this link www.friendsoflouisemarino.com… (friends of Louise Marino.com…) Jack and his family thank all of LA Talk Radio listeners for their prayers and support. Jacks's old Hollywood themed shows including one with |
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Podcast Description
Bold. Conservative. Warrior – That’s what Host Jack Marino brings to LA Talk radio, every Friday night with his new show: Jack Marino – Warrior filmmaker. Got questions about Hollywood, filmmaking, surviving as a conservative filmmaker in Hollywood or what’s it really like to be an actor, writer, producer, director, author and dealing with all the politics of today’s Hollywood? Through in depth interviews with guests working in all levels of the film business both then and now, come by and hear a new kind of radio about the gritty side of Hollywood that you’ll never hear in the mainstream media.. Listen to Jack live, every Friday night 8PM PST, exclusively on LA Talk Radio (latalkradio.com…)
A new show!
Jack Marino Warriorfilmmaker Radio Show, listen my guest actor/producer
Frank Tabbita talk about his career as an actor doing one man plays on
Telsa and Doc Holiday. Hear about Franks journey to get film BEAT ANGEL
produced, a film about the spirit of Jack Kerouac. Hear Jack's tribute
to Tony Curtis too!
— David DeWitt
Scenes from the Screenplay 'The Fables of Flynn'
Hi, as an avid admirer of the Legendary film actor Errol Flynn I was surprised to find this most amazing blog, which is dedicated to him. I have spent the last six years researching and writing a screenplay based on Errol Flynn's life. a challenge that has been draining, frustrating and overall rewarding. The challenge was how to write a film that captures the true spirit of the man, and to somehow make him human so that audiences can connect. what i didn't want to do was make another art-house film about Flynn, there are a few stinkers out there that do that job well enough. This mythical man has had everything written about him except something justworthy to his legacy. I feel I have accomplished this by writing a screenplay that upholds his legacy as a great actor. I feel it's extremely important for Errol to finally get his props as an actor! Hopefully my script will prove to be successful and maybe even the academy will finally give him a posthumous honorary Oscar, which he no doubt deserves…I can think of only one actor who could play Flynn, Orlando Bloom…So Flynn fans you heard it here first and I'm very proud to share with you all some scenes from my original screenplay based on the life of Errol Flynn 'The Fables of Flynn'
SUPER: HOLLYWOOD 1935
EXT – HOLLYWOOD TENNIS COURTS. DAY
MEDIUM SHOT of the Art Deco bungalows and tennis courts.
Errol is practicing his swing as he hits balls to an empty court. The weather is perfect and the sky stretches crystal blue. Errol hits another ball that bounces to the feet of Lili Damita. Now in her late 30’s, the Former French beauty queen and sexpot of the silent era is dressed to play in a white mini skirt. She smacks the ball back to Errol. He walks up to greet her by the net.
LILI
With all the spare time you have, you should be an excellent tennis player by now.
ERROL
Tell me about it. Contracted to act, but they pay me to play tennis.
LILI
How about a match. What shall we play for?
ERROL
If you beat me I will be your humble slave…for as long as you wish.
LILI
That sounds too easy…besides I don’t need tennis to make you my slave.
ERROL
Please, no whips…had a bad experience once.
LILI
A bad boy, huh? Are those the kind of roles you’re looking for? Bad boy roles.
ERROL
No, I’d like to do some Shakespeare.
Lili laughs.
ERROL (cont’d)
At this point anything will do. I’m rather bored.
LILI
What have you done?
ERROL
Have you seen the case of the curious bride?
LILI
Yes.
ERROL
Remember the part when the detective has to identify the dead body?
LILI
You were the dead body?
ERROL
It’s perfect type casting really.
LILI
Why is that?
ERROL
Because, no one has been under more sheets than I.
They smile at each other.
CUT TO:
INT – JACK’S OFFICE.
Jack plods over pictures and contracts with his Brother HARRY. They need a lead for their film “Captain Blood”
So far no one is working out…
HARRY
Robert Donat is too ill, and Clark Gable too expensive.
JACK WARNER
There’s got to be somebody who can play Captain Blood.
The Secretary brings in some envelops and lays them on the table. Jack notices a paper half folded on her arm with a picture of Lili and Errol. Jack grabs the paper and examines it closely.
JACK WARNER (cont’d)
Isn’t this fella on our payroll?
HARRY
Who? Lili Damita’s boy toy?
JACK WARNER
We’re not paying him for nothing. Lets set up an audition.
HARRY
For Captain Blood? He hasn’t done anything…why?
JACK WARNER
Why not? Let him read…see how he does.
HARRY
Read with who? Bette Davis won’t work with an unknown.
JACK WARNER
So we get another unknown. You know who is an absolute doll.
At the same time they both blurt out…
HARRY
Olivia.
They look at each other like they just solved the puzzle.
FADE OUT.
INT – SCREEN TEST.
Errol dressed in 18th century English attire meets the lovely OLIVIA DeHAVILLAND For the first time. Olivia looks stunning in her dress. They are instantly attracted to each other. They nervously look over their lines together.
ERROL
I find myself speechless. I can’t imagine an 18th century young heiress looking any lovelier.
OLIVIA
Thank you, this from a man who’s the talk of the town. I’m honored. You don’t look bad yourself.
ERROL
Talk of the town for all the wrong reasons. All this about Lili being washed up, and me being her arm candy to attract the gossip rags. It’s really not fair. To her at least…personally I don’t care what they write about me, as long as they spell my name correctly. It isn’t what they say about you, it’s what they whisper. At least you have done a few films already, even Shakespeare! A Midsummer Night's Dream…I’ve seen at the Roxie.
OLIVIA
So you were the one!
They laugh.
ERROL
I’m very fond of Shakespeare. I too did Midsummer Night's Dream, in London. I played Lysander.
Olivia thinks he’s joking.
OLIVIA
Stop it, Errol. Did you?
ERROL
How now, my love! Why is your cheek so pale? How chance the roses there do fade so fast? Ay me! For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth; But, either it was different in blood, Or else misgraffed in respect of years.
Olivia is speechless.
OLIVIA
Wow…I would love to do Shakespeare with you some day.
ERROL
That would be a treat, but what do you make of this film?
I heard the Warners are already in over a million dollars so far. Have you seen the sets?
Olivia nods with astonishment.
ERROL (cont’d)
I thought I was reading for a bit part, and when they started to dress me they kindly told me…I was to play the lead.
Olivia grabs his hand.
OLIVIA
Me too! I don’t know what Jack Warner is thinking!
The STAGE HELP interrupts them, handing them their papers.
STAGE HELP
We’re ready.
Errol and Olivia look over their lines nervously, as they begin the dialogue.
OLIVIA
Captain Blood! I thought you had gone, You can’t be here…my uncle has just returned.
ERROL
Yes, I know.
OLIVIA
You know? What are you going to do?
ERROL
Just stay here.
Olivia with passion…
OLIVIA
You know that’s impossible, he swore he’d hang you.
ERROL
No he won’t, I have always been bad luck for your…
Errol breaks character smiling as he flubs a line. Olivia smiles as the ice is broken.
ERROL (cont’d)
It’s that dimple on your chin, sweet. It threw me off.
The stage help interrupts them.
That was good, are we ready to try again?
JUMP CUT TO:
INT – CAPTAIN BLOOD SET.
Olivia gets down from her horse drawn carriage, calling out for Captain Blood. Her white dress ruffles as she runs towards Errol. He is dressed in regal attire and wig.
OLIVIA
Captain Blood! I thought you had gone, You can’t be here…my uncles just returned.
ERROL
Yes, I know.
OLIVIA
You know? What are you going to do?
ERROL
Just stay here.
OLIVIA
You know that’s impossible, he swore he’d hang you.
ERROL
No he won’t, I have always been bad luck for your uncle.
OLIVIA
You don’t know the dreadful things he’s done, his whole life he’s been searching for you!
ERROL
Well, now he’s found me.
OLIVIA
You must leave, please save yourself…for my sake.
ERROL
For your sake! Why would I do that? Isn’t it true you hate me! Or do you love me?
OLIVIA
I’ll hide your bags…I’ll find a way…
Errol grabs her, holding her close.
ERROL
You love me don’t you? Don’t you?
OLIVIA
Who else would I love…
JUMP CUT TO:
INT – CAPTAIN BLOOD SET.
Errol with rope in hand swings from one boat to another. He does some sword fighting, but forgets his lines. The director MICHAEl CURTIZ, is in a rage.
MICHAEL
Cut! Errol, how many times must we go through this?
Errol jumps off the boat and confronts Michael.
ERROL
I need a break.
MICHAEL
This scene is taking too much time! A short break…go.
Errol hides from the crew and the cameras.
Taking a few swigs from his hidden bottle of brandy, he’s caught by a PRODUCTION ASSISTANT who approaches him with a note.
PRODUCTION ASSISTANT
It’s from Jack.
Errol looks at the note with discouragement.
INT – JACK’S OFFICE.
Errol enters the room where Jack is sitting with Harry and three other MEN.
Errol refuses a seat and prepares for the worst.
JACK WARNER
Listen, Flynn, there’s one thing I won’t have around this lot and that is drinking! I don’t drink, and my brothers don’t drink. Only a bum will drink when he’s working, and you can’t get the job done well if you do. So there will be none of it, will there Flynn? Good, now get back to work.
Errol begins to walk out as Jack stops him.
JACK WARNER (cont’d)
Just a minute now. There’s something I want you to see.
Jack leads him over to the window where they see the hundreds of people working on the film.
JACK WARNER (cont’d)
It’s okay to be nervous…hell kid you’re the lead, what pressure! But remember that I’m more nervous than you.
ERROL
How so?
JACK WARNER
Because I write the checks.
DISSOLVE TO:
EXT – OPENING OF CAPTAIN BLOOD. NIGHT
The lines stretch around the corner. Captain Blood is a huge success. Errol and Olivia ride together in the horse drawn carriage as they make their grand entrance to the premiere.
FADE OUT.
INT – BREAKFAST TABLE.
Errol and Lili sit at the breakfast table. Lili reads about the financial success of Errol’s film in the newspaper.
LILI
Looks like you’re finally a star. An overnight sensation. Good, now you can start supporting me for a change.
ERROL
It does feel good. Maybe now I can show them how Shakespeare is done.
LILI
Honey, they are going to make you do ten more films like the one you just made. It’s a recipe for making money, they don’t care if you fancy yourself an artist.
ERROL
If the films keep making money I will do whatever the public wants of me…but eventually they have to let me act.
LILI
I shouldn’t be telling you this, but I heard MGM is casting Romeo today.
ERROL
Romeo?
LILI
Yes, I know you would be perfect. But seriously, I heard that John Barrymore is involved.
ERROL
My hero.
LILI
I know you admire him, but if you go please don’t come home drunk or late. We have the birthday party tonight, remember?
ERROL
I won’t, thanks sweets…I have always wanted to meet the great John Barrymore.
He kisses Lili and grabs his coat and hat.
DISSOLVE TO:
EXT – THE BACKLOTS OF MGM. DAY
Errol is sneaking around the backlots of MGM STUDIOS.
Errol see’s a man sitting on a bench, dressed in Shakespearian costume. Errol walks towards the man who upon hearing the approach, straightens up.
The man opens his eyes slowly and cocks his left eyebrow as he stares at Errol.
It is the famous actor JOHN BARRYMORE.
JOHN BARRYMORE
Ah, a glorious day is it not?
ERROL
Magnificent.
John points to the space on the bench beside him, and invites Errol to sit with a hand gesture.
JOHN BARRYMORE
Have I seen you before, my friend? Perhaps in some other life? Wait! I know who you are! You’re the young bastard I’ve seen in the rushes the other day. Captain Blood, huh? The new cock of the walk. You remind me of Navarre. Do you mind if I call you Navarre?
Errol is all smiles.
ERROL
Not at all.
JOHN BARRYMORE
Glorious country, California. Too good for these cloddish bastards who inhabit it.
ERROL
I myself prefer the far East.
JOHN BARRYMORE
Ah, yes, Navarre, what you say reminds me of a place where I was once strangely content. Kualalumpur, Malaysia.
Never shall I forget that whorehouse. It was one of much integrity.
ERROL
Never been there, but I am fond of the ones in Marseilles.
JOHN BARRYMORE
When you go to a house of joy, Navarre, always take the madam. The quality is better, and the price more reasonable.
They finally explode in laughter, as a VOICE from behind says softly.
VOICE
Mr. Barrymore sir, they are waiting for you on the set.
John rises to his feet swaying with dignity.
Errol stands up as well, and extends his hand.
JOHN BARRYMORE
Navarre, our talk was most illuminating. We shall see more of each other, correct?
ERROL
I’m absolutely certain of that.
John enters the studio as the back door closes behind him.
FADE OUT.
— Xaviant Haze
Documentaries made by Karen Hillhouse (director and writer) – Rudy Behlmer and other notables.
I am wondering if any of our members have any information about these documentaries made about Errol's movies and most important how to acquire copies of them? These documentaries were made quite recently i.e 2005..
This is the website I found the attached information, but there are a lot more movie documentaries of Errol listed on the website: www.imdb.com…
Looking forward to your replies!
Thank you,
Tina
— Tina


