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Lincoln Douglas Hurst

11 Jul

I just found out that Lincoln Douglas Hurst, born on May 6, 1946 died on November 11, 2008; now knowing this, I am wondering about his so called forthcoming book advertised by the Internet book sellers i.e. Amazon etc. ““Errol Flynn: The True Adventures
of a Real-Life Rogue” –
who is the rogue here?
If he died in 2008 how can this book be published in 2010, in particular since I am waiting for my order to be filled since January 2010 with Amazon and have not received any notice that the book will not be forth coming.  On the contrary, I receive notices to the fact “If I wish to remain on the waiting list” and that to this day.
Anybody having any information to this mystery?

This book is still advertised on amazon to this minute as


Errol Flynn: The True Adventures of a Real-Life Rogue
by Lincoln Douglas Hurst (Hardcover – July 16, 2010)
Buy
new
$35.00 $31.69
 
Available for Pre-order
Eligible for FREE Super Saver Shipping.

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So what is what???
Curious,
Tina

— Tina

 
 

Hugh “Bud” Ernst – Best Friend to Errol Flynn

02 Jul
7 June 35 loses her heart as well as her appendix when hospitalized recently. Hugh B.”Bud” Ernst, radio announcer and entertainer and former movie cameraman, is in the same hospital convalescing from injuries received in an auto accident. The two meet and have “dates” riding around the corridors together in wheelchairs.
12 June 35 columnist Robert Coons reports: “.and here's Lyda Roberti who just celebrated a birthday anniversary, not knowing how old she is because her parents each insisted on a different year as the one in which she was born.”
19 June 35 Bud Ernst pilots Lili Damita and Errol Flynn to Yuma, Arizona, for their wedding. He is best man and plans to take Lyda and make it a double ceremony, but she is unable to get off work.
25 June 35 marries Hugh “Bud” Ernst in Yuma, Arizona. Ernst, an expert flyer, takes his plane out of a hangar in the afternoon, grabs her away from the studio where she is making a movie, and flies the two in his plane. The ceremony is performed by Justice E. A. Freeman, the “Marrying Justice in Yuma.” There is no honeymoon; the two return to Hollywood a few hours later. Ernst has to land the plane in darkness and on an unfamiliar field. They intended to return before sundown, but it is 8:30 p.m. before he arrives over Mines Field. He shaves some trees and high tension wires and eventually drops the wheels, not on the field, but on rough ground nearby. She is shaken by the landing.
3 July 35 Jack Oakie, who worked with her in The Big Broadcast of 1935, says she has one of the fastest wits he's ever come across. “One reason that we got along so well was just that we both liked laughs.”
5 July 35 is sent to hospital by a recurrence of a recent illness just as she is preparing a honeymoon trip to Panama and on to New York with her husband of one week. She will be confined to bed for ten days.
10 July 35 columnist Dan Thomas reports: “Blond Lyda Roberti and her brand-new husband Bud Ernst are too interested in each other to pay any attention to menus or a waiting waitress.”
17 July 35 in her penthouse apartment, she talks about her recent marriage, with her handsome 6'-4″ husband sitting on the sofa: “I am happy for many reasons, but one of the principal ones is that my marriage will end my loneliness. It is such a change to come home to my apartment and find someone here, someone with whom I can talk over everything, and laugh a little at things that have occurred during the day. The world moves very fast in Hollywood. There is a constant parade of personalities. It is very confusing. One meets many persons, but gets to know very few.I suppose it is true in any large city. There is nothing like a family to anchor one and give a feeling of 'belonging' in the world that surrounds. In my case, that is particularly true. My mother and father are far off in the Orient. I have a brother and sister in this country, but they live thousands of miles away. But how can a movie actress be lonely in Hollywood? I have been asked many times. That is simple. It takes a long time to make good friends and without good friends, one is lonesome.”
19 August 35 columnist James Aswell reports that Josephine Dillion, who used to be Mrs. Clark Gable and who coached him in camera prancing, is giving Lyda daily workouts in Thespian trickery
6 September 35 an unnamed travel agent tells about the difficulties of selling airline tickets to the stars, many of whom still prefer to travel by train and ship: “I stalked Lyda Roberti for eleven days. When I finally found her, she was gracious enough, but I lost her eventually. She and her husband, Bud Ernst, went East by boat.”
36 lives in a white-walled apartment with a blond cocker spaniel named Herman, a black and white coach dog called Adolph, a gray-haired housekeeper who goes by the name of Coulter, and a black-haired personal made, Sonia. There used to be a husband named Bud Ernst, but he doesn't live with her any more, and she's getting a divorce. Coulter used to cook for Lili Damita and prepares fancy foreign food. Sonia speaks Polish almost exclusively and whips together all of the cosmetics used by Lyda, who doesn't care for the manufactured brands. Sonia also causes no end of trouble-unknowingly insults people with her poor English, frequently goes into temperamental rages, and gets telephone calls mixed up, but Lyda keeps her just the same.
when not working, she plays tennis or goes apartment hunting, with no intention at all of renting. Her brother is her chauffer. She once tried to learn to drive and cracked into a lamp post on her third lesson. She hasn't been behind a wheel since.
27 May 36 announces through her attorney, George Chasin, that she has parted from husband Ernst. Chasin says she expects to file suit for annulment shortly but refused to reveal on which grounds annulment would be sought.
29 August 36 is forced to withdraw from Wives Never Know at Paramount due to illness. She is replaced by Vivienne Osborne.
17 September 36 replaces the late Thelma Todd as Patsy Kelly's partner in the Hal Roach comedy series. With her thick Polish accent, she will portray a dizzy, word-juggling dame buffeted about by tough, wise-cracking Patsy, who has an accent herself, picked up on New York's East Side. She is happy about becoming the other half of a comedy team: “It eez vonderful. Seductive? I em not that. Comedy, that eez what I have wanted to play on the screen for three years. Instead, yes, they make me go around vamping. No, I didn't like that. Happy. I am that now. I weel show them I am funny. Patsy, she eez vonderful. She gives other people, what you say, the break. Mr. Roach, he eez vonderful. At last I can be funny instead of eye rolling at the men.” On losing her nationality she says: “Many times they tell me to learn English. But I don't vant to. I don't vant to. I think better it eez to stay as I am.”
November 36 moves into a new house and has fun decorating it. The more colors in the living room, the better she likes it. She says she and the interior decorators never agree. She spends the first night sleeping on a camp cot; the new furniture hasn't arrived.
15 November 36 is such a hit in her first scenes in a Hal Roach-MGM feature production, that her option is picked up by the Hal Roach Studios
19 November 36 Jimmie Fidler reports: “Lyda Roberti was the big gasp at the very hotsy-totsy Trocadero night club a few evenings ago. She arrived here clad in an evening gown with a long train. When she danced, the train got in her way, and Lyda has no patience with things that annoy her. She did exactly what I will wager many another woman has lacked nerve to do, strode into the ladies' powder room, borrowed a pair of scissors, calmly snipped off the irritating train.”
36 – 38 is forced to curtail her film career because of frequent heart attacks
31 January 37 is secretly reconciled with her husband. They are afraid to announce the event because they're not sure it will last.
31 January 38 she and her husband are sued over a $122 grocery bill. Grocer William F. Webb claims he delivered the food to their Hollywood home last year and has not been paid.
13 March 38 suffers a severe heart attack during the night. Dr. Myron Babcock is called to her apartment and gives her heart stimulants, but to no avail. She dies with her husband, Hugh (Bud) Ernst, radio announcer, at her bedside.
15 March 38 a thousand or more gardenias and lilies cover her casket in a Hollywood mortuary. Four hundred persons pack the room. Floral tributes arrive from Lili Damita and Errol Flynn, Al Jolson, Patsy Kelly, Ginger Rogers, Jack Oakie, Wendie Barrie, Joe E. Brown, Hal Roach and Stan Laurel. Funeral services are conducted by Reverend Holmes.
as Lyda Roberti Ernst, she is interred at Forest Lawn Memorial Park, Glendale, Graceland section, lot 1628. Her headstone bears a line from Song of Solomon 2:17: “…Until the day break and the shadows flee away.”
28 May 38 Jimmie Fidler reports: “I have often told you how superstitious these ladies and gentlemen of the grease paint are. Today I saw new evidence of it. I was talking on a Boulevard corner with Carole Lombard when Patsy Kelly drove by and Lombard said, 'I wouldn't be in her shoes for a million bucks. She used to co-star in comedies with Thelma Todd and Lyda Roberti, and they are both dead now.' And then in almost a whisper, she voiced one of the oldest superstitions of the theatre: 'Death always strikes three times.' I've been shuddering ever since.”
16 June 38 columnist Charles D. Sampas writes: “It's awfully hard to visualize Hollywood without Lyda Roberti-or don't you remember her in Roberta?
1 June 39 Ernst marries Gwynne Pickford, 24, daughter of Mary Pickford's sister Lottie. It is Pickford's first marriage. Their daughter Susan will be born on August 5, 1944, with their marriage on shaky ground. The couple will divorce and Ernst will marry three more times, twice to actress Betty Furness. He is producer of the '40s radio show Queen for a Day.
11 April 50 39-year-old ex-Army flyer Bud Ernst phones Neil Maguire, Journal-American assistant city editor, from his staid East Side Westbury Hotel, upset over the crumble of his marriage to actress Betty Furness. Maguire tries to soothe Ernst by telling him to think things over and to call Betty, all the while scribbling a note telling a reporter to rush to the hotel. “I'm at the end of my rope. Get a reporter here in 10 minutes. Send up and you'll get a story.” After hanging up, Ernst places the muzzle of a new 20-gauge shotgun into his mouth and pulls the trigger. A clipping of a newspaper Broadway column reporting that Ernst and Furness are to be divorced is found in the room. There are two notes, one still in the typewriter. One asks that Miss Furness be notified. The other is to “Jack,” “I am tired of everything and I'm sorry for what I'm about to do.”
Betty Furness identifies the body of Bud Ernst, having been taken to his hotel by the police waiting for her on the set of “Studio One,” during which broadcast he killed himself. He had sent her a note, through the mail, which she received the day after his death, saying,”Sorry, Mommy.”

show business reaction is unanimous sympathy for Furness. Ernst was generally considered erratic. He had a luncheon reservation at the swanky Colony for the next noon.

 

Sources:
The Ada Evening News, Centralia Daily Chronicle, Charleston Daily Mail, The Charleston Gazette, The Chronicle Telegram, The Coshocton Tribune, The, Daily Times-News, Delta Herald-Times, Dixon Evening Telegraph, The Edwardsville Intelligencer, The Evening Tribune, Fitchburg Sentinel, The Fresno Bee Republican, The Galveston Daily News, The Hammond Times, The Hayward Daily Review, The Lima News, The Lincoln Star, Long Beach Independent, The Lowell Sun, Mansfield News Journal, The Marion Star, The Monessen Daily Independent, Nevada State Journal, Oakland Tribune, The Ogden Standard-Examiner, Port Arthur News, The Portsmouth Times, The Post Standard, San Mateo Times, The Sheboygan Press, Syracuse Herald, The Times, Winnipeg Free Press, The Wisconsin Rapids Daily Tribune, www.IBDB.com…, www.IMDb.com…, www.Findagrave.com…, Babbie Green

Errol Flynn:  He was my first and long-time friend in Hollywood, although it was this Benedict Arnold who practically forced me into my first marriage . . . .  We certainly had memorable times together in my early days behind the fog, smog, and grog curtain of Hollywood.  How many words would you like on the shock a man gets when his dear friend, a roistering, Falstaffian ruffian, suddenly goes out, buys himself a 16 double-guage shotgun, some cartridges, and blows the top of his head off.  From Inherited Risk, page 105

— Kathleen

 

Birthday Sandwich

28 Jun

The world rolled by Errol Flynn’s 101st birthday on June 20, and Olivia de Havilland’s 94th birthday is coming up on July 1. Personally, I hate birthdays and believe in my mother’s adage about her own—when someone would ask her what she wanted for her birthday she would reply, “Let’s just cut that date out of the calendar.” I honestly believe that this practice helped to extend her life, and if Olivia feels similarly, then I would understand. However, when one gets to be 94, there ought to be a fair amount of pride in the number, considering that she was born during World War I, grew up in the Great Depression, dated Howard Hughes, appeared in the most celebrated motion picture of all time, worked with future U.S. President Ronald Reagan, entertained the troops in World War II, and turned young Navy man John F. Kennedy down for a date—all by age 30! In the decade after that she won two Best Actress Academy Awards, married, had a child, divorced, married again, and left the <?xml:namespace prefix = st1 ns = “urn:schemas-microsoft-com:office:smarttags” />United States for a life in France. In her 40s she had another child and wrote a highly entertaining book, and over these decades turned out an outstanding body of film work—including eight pictures with Errol Flynn, including several classics—and appeared in many plays on and off Broadway.<?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” />

 

That Olivia will turn 94 in a few days is surprising considering that she was frail and sickly in her youth, almost died of an appendicitis attack in 1940 and then of pneumonia in 1944, smoked a good bit, drank her fair share, and on occasion suffered bouts of depression, sometimes severe. With this track record, how on earth did she get to be a strong 94 and counting? After two years of research, my answer is that she is now displaying the same traits that helped her become a celebrated performer, a victor in the courts, and the survivor of trauma and tragedy. Olivia de Havilland is equal parts brains, determination, and stubbornness. She best described herself in 1958 as “a man in a woman’s body,” meaning that in a man’s world she could use the means at her disposal to prosper. And into 2010 she continues to live a rich and yes, an historic life, which is chronicled in the forthcoming hardcover, Errol & Olivia: Ego & Obsession in Golden Era Hollywood, coming October 1 from GoodKnight Books.

 

May I say directly: Happy Birthday, Miss de Havilland, and, Cheers!

— Robert Matzen

 
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Nat Cole Flynn from Istanbul, 1956…

26 Jun

Thanks to Steve Hayes…

— David DeWitt

 
 

Tina Nyry's Video Tribute to Errol & Olivia!

20 Jun

75 Years of World Wide Stardom together!

— David DeWitt

 
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Errol Flynn and General Custer by Jack Marino

15 Jun

Hello my Friends;


I have been absent for a while, due to some things that
happen in life, but I am back with great news!

You have to listen to this broadcast by Jack Marino! A Must!

www.latalkradio.com…-061110.mp3

This is the second show Jack Marino sent to me!

www.latalkradio.com…-030510.mp3

ENJOY – Tina!

Admin note: there is a posting and comment guideline rule that politics and religion unless it is Flynn's or his lack thereof not be discussed on The Errol Flynn Blog so that nobody feels uncomfortable visiting the blog. We are here for dear old Errol and not to put forth our own politics and it has worked out very well. That said, there is some political content in at least one of Jack Marino's shows that has nothing to do with Flynn, and is not part of the interviews Jack Marino is conducting. Jack, who owns his show and its content, has given permission to cut this material out of his shows in keeping with this rule. However, it is currently beyond what I can do technically… In this case, we will warn listeners that there is political content that they may disagree with on these broadcasts but that this blog is not responsible for nor does it endorse any political point of view expressed by the producers of the programing in which these excellent Flynn-related interviews are heard. Additionally, here is a link to a third show with a wonderful interview with Robert De Young from Melbourne talking about the Flynn DVD that Jack and Linc Hurst are featured in…

www.latalkradio.com…Marino-040910.mp3

— Tina

 
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A Question of Accent

18 May

Ok, this might be going to be a bit dry, but have you ever thought about why Lili pronounced “Flynn” as “Fleen”? As 1/4 of a linguist, I became interested in this question, and here's what I found out.

Even though I never heard Lili speak, I believe she did not say “Fleen” directly. You probably know that in your English language, you have got two i-sounds: a short one as used for “Flynn”, written something like this in phonetics: [ı], and a long one, like in “seen”, represented as [i:].

Now in the French language, there is nothing like this – the poor French have only one single i-sound, represented as [i]. Its length is something in the middle of the two English sounds, but supposedly, for English-American ears, it sounds like a long [i:]. That's why Errol probably chose the spelling of “Fleen” to represent Lili's accent.

— Inga

 
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‘New Biography With Chapter On Errol Flynn’

11 May

I wish to bring attention to a brand new book on the life of actress/model Jeanne Carmen who appeared in the Errol Flynn movie “Too Much, Too Soon” (1958).

The book is currently available from Amazon.com… under the title “Jeanne Carmen: My Wild, Wild Life” written by her son Brandon James based on her diaries.   I have not read this book as of yet, but am impressed that it has 562 pages, and therefore not a  piece of fluff.

Ms. Carmen writes about her adventures with Errol Flynn during the making of the film although they have no scenes together in it.  In fact Jeanne Carmen appears late in the story after John Barrymore’s death as a beautiful, buxom blonde stripper named ‘Tassles’ who works in the burlesque theatre with a rapidly fading Diana Barrymore.

I had the great pleasure of meeting Jeanne Carmen at several collectible shows and found her to be an intelligent, still beautiful-looking, eloquent woman with a great sense of humor.   She was the subject of a “E! Channel True Hollywood Story” and insisted to me that the story she related on Errol Flynn on the show was indeed true.  When I asked her about Flynn her first words were an emphatic “I liked him!”

She said that while they were shooting her striptease dance at Warner Brothers (which only lasts for a few seconds on screen) , Mr. Jack L. Warner himself sat in the front row cheering her on, and grinning from ear-to-ear like a naughty school boy.

Jeanne Carmen had definite opinions on te death of Marilyn Monroe which she said was a homicide not a suicide.  This is a major part of her book.   She even told me that while visiting Marilyn in 1962, she answered the front door and was shocked to see the U.S. Attorney-General Bobby Kennedy standing there and let him in!

Has anyone on this great blog site purchased and read this book as of yet?

If yes, then how about a book review for the rest of us?

So far the customer reviews for “Jeanne Carmen: My Wild, Wild Life” on Amazon have been positive.

Best Wishes

Ralph Schiller

— Ralph Schiller

 
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Sean Flynn sings!

01 May

The wonderful Flynn's and the talents they possessed!

www.youtube.com…?v=SH4quKNkPKo

 

***@*************id.com…” src=”http://www.theerrolflynnblog.com/wordpress/wp-content/uploads/2010/05/cleardot.gif” alt=”” height=”16px” width=”16px”>

— Tina

 
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What Errol Told Olivia

27 Apr

image

 


In the 2005 Turner documentary, The Adventures of Errol Flynn, Olivia de Havilland recorded a series of reminiscences about Flynn, including the recounting of an episode that took place soon after they first met: “He sat down, and he said to me, 'What do you want out of life? And so I said, 'Well, I want respect for difficult work well done.' And then I said to him, 'What do you want out of life?' And he said, 'I want success.' And by that he meant fame and riches.  And I thought, 'That’s not enough.'”<?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” />
 
In Olivia’s mind, Errol wanted one thing, and she wanted another. By implication his desires were material and hers were artistic; his were wrong, and hers were right. His were “not enough.” What she doesn’t account for is that Errol Flynn had by 1935 at age 26 already graduated from the school of hard knocks, getting by on equal parts charm, looks, and guile. Despite her harsh upbringing in stepfather G.M. Fontaine’s home, she had not spent much time out in the world. As has been well documented, particularly in John Hammond Moore’s excellent The Young Errol, Flynn had kicked around Australia and New Guinea working at various jobs for years—dozens of jobs, in fact. His failure in these jobs might have had less to do with character deficiencies than always assumed by his biographers, and more to do with a condition that might today be diagnosed as ADHD. Sometimes, just maybe, this disability set him up to fail. Flynn was always getting fired, although on one occasion when he managed a copra plantation, it may have been a conspiracy by area farmers against the “new kid in town” that led to his failure. These experiences gave Flynn a hard, cynical veneer that prepared him for what was, in his mind, the inevitability of losing this gig as an actor just like he had lost all the others. Proof of this can be found in his early, constant griping to the press that he might just chuck it all and return to the South Seas. He figured he ought to quit the business before the business quit him. 
 
Olivia, on the other hand, had survived a militaristic existence at home in Saratoga, California, as described by Olivia's sister Joan Fontaine in the memoir, No Bed of Roses. Olivia, the older sister, had been forced to become the poised, well-read, and well-spoken young lady who hit the screen at age 18. In response to her harsh home environment, she had by necessity become an intense loner and a person who sought the control as an adult that she had been denied as a child and adolescent. But she had not, and would not ever, wait tables like the typical struggling actor and have to cope with a variety of bosses with different work styles and temperaments. In other words, she didn’t know what she didn’t know, and when Flynn made his statement about wanting fame and fortune, it struck de Havilland as capricious when it was in fact the product of many ego blows that accompanied each pronouncement, “Flynn, you’re fired!”
 
I discovered a thousand and one things about Errol and Olivia that I didn’t know. Learn about all of them in Errol & Olivia: Ego & Obsession in Golden Era Hollywood, coming in October 2010 from GoodKnight Books.

— Robert Matzen