An “Extended Version” of Tony Thomas’s “Sound Picture” interview of and tribute to Errol was posted yesterday on YouTube.Fascinating to hear Errol talk about his life at such length Here it is, from his youth in Tasmania to his days just prior to filming Roots of Heaven.
— Gentleman Tim
This is what Tasmania was like when Errol last lived Down Under:
— Gentleman Tim
October 11, 1883 – October 24, 1968
Tasmania’s First Professor of Biology
Thank you very much to Philip for his previous posting of the audio above on the EFB.
— Gentleman Tim
The Fast, Furious & Flynntastic Life of Errol Leslie Thomson Flynn
— Gentleman Tim
With Errol unaccredited:
Check them out:
— David DeWitt
Features our late friend Professor Lincoln D Hurst, a film historian …
Special Thanks to Mirta Gonzalez!
— David DeWitt
Saw a premier of ‘Errol Flynn’s Ghost’ tonight at the Tower Theater on Calle Ocho, in Little Havana, Miami. It is a superb documentary, written and directed by an extraordinary talent, Gaspar Gonzalez.
Author and historian Megan Feeny is also sensational in this, drawing on her research from her new book, ‘Hollywood in Havana’.
Making everything about this film even better is the prominent inclusion of magnificent writer and Flynn biographer (and EFB Author) Tom McNulty, which adds very significantly to its caliber, credibility, and importance. Thank you, Tom.
Every fan of Errol and/or Hollywood’s Golden Age should see this fascinating, first-class documentary.
It’s playing one more time in Miami, this Sunday, 1 PM @ The Silverspot Theater.
— Gentleman Tim
Here is a nice poster from Huntington Hartford’s production of The Master of Thornfield, and below an audio recording made with Errol by Tony Thomas who interviews him in the basement of another theatre for the Huntington Hartford produced Jane Eyre … the usual recording length is 24.56 but the version I found years ago is some eight minutes longer.
Requiem for a Cavalier:
— David DeWitt
Eighty-Five Years Ago Today (Sydney Time), on March 15, 1933, Errol Appeared Live AND On Film at the Prince Edward Theater in Sydney.
Errol was paid £2 to stand on stage in what he later described as a bad wig and bizarre naval uniform, appearing more like “an elderly keeper at a [Sydney brothel] than Fletcher Christian. The Ides of March ended bad for Caesar, but great for Flynn. It signaled the birth of Errol’s acting career.
A superb assembly of contemporaneous news articles by EFB Author “Isabel Australis”:
An intriguing history with some Errol and errors:
And here’s the cinematic Flynn himself, just as he appeared at the Prince Edward Theater, eighty-five years ago today, March 15, 1933 – On the Ides of Flynn:
— Gentleman Tim
