Archive for February, 2017

Errol Flynn Laborde

28 Feb

During last night’s Mardi Gras (aka Lundi Gras) ceremonies, I thought I heard various call outs to “Errol” being made. Even once possibly to “Errol Flynn”. Naturally, I found this quite surprising and intriguing!

Having absolutely no clue who this Errol/Errol Flynn might be, I did some Flynnvestigation. As it turns out, Errol Flynn Laborde is a leading Mardi Gras historian, who was up on stage and apparently a key figure in the planning of this year’s events. Amazing coincidence!

Here’s an article and video including references to Monsieur Laborde.…

“Then while researching a book for the 125th anniversary of the Rex organization, famous local historian Errol Flynn Laborde discovered the truth behind these colors.”

— Tim


Hola from NOLA

28 Feb

In like Flynn at the Lundi Gras tonight. Presently at one of Errol’s Big Easy watering holes, the Sazerac Bar, in the Hotel Roosevelt. Been gathering Flynnfo all about town.

If anyone has any request of me to Flynnvestigate or consider please do send asap. For example, anything from Buster Wiles book, in which he discusses his trip to NO LA Land with Errol, circa ’43, which I do not have with me!

P.S. Hard to tell from these photos, but that’s the great Harry Connick Jr. heading up the Krewe of Orpheus Parade tonight. That’s Harry at the front of the float, with beads for throwing to the crowd draped over his right arm.

— Tim


Ousted Oscar nominee

26 Feb

Dear fellow Flynn fans,

2017 marks the sixtieth anniversary of “The sun also rises”, the Darryl F. Zanuck movie version of Ernest Hemingway`s breakthrough novel “Fiesta”.

Errol, who received fourth billing, gave a fine performance as a world dreary old chap much like the Flynn of later years. This earned him a nomination as best supporting actor at the Academy Awards one year later. Here is what he had to say in an interview with EF biographer Tony Thomas in early 1958.

“Errol, the last picture in which we saw you, “The Sun Also Rises”, and even the critics who had not liked you before said that you were wonderful.”

“Well, if the critics said that, you know, it’s a kind word in a hard cruel world.”

“The news has just come through from Hollywood that you have been nominated for an Academy Award.”

“Yes, isn’t that something? I never thought it would happen to me.”

When however his nomination was mysteriously withdrawn with no official explanation given, it was anyone`s guess who had put a banana skin under the Ol` Swashbuckler`s shoe on that slippery slope towards Oscar called Red Carpet.

The five actors who were nominated were (the winner) Red Buttons in Sayonara, Sessue Hayakawa in Bridge on the River Kwai, Vittorio de Sica in A Farewell to Arms, Arthur Kennedy in Peyton Place and Russ Tamblyn in Peyton Place. The last one can be considered as the most likely substitute for our Hollywood hero.

While daughter Rory Flynn attributed the snub job to her father’s involvement with Fidel Castro during the Cuban Revolution (…), the book “Inside Oscar” blames the blunder on Twentieth Century Fox for the studio had listed him in their Oscar Campaign ads as Lead Actor, thus thwarting Errol’s effort to get one of those golden boys. The same mishap happened to Roddy McDowell for his role in the sand and sandal film “Cleopatra”.

Maybe it was then and there when Errol coined the phrase: “Hollywood has the utmost respect for the dead, but none for the living.” For once it was “Out and not in like Flynn”.


— shangheinz


Graham Greene, Errol and Underaged Girls

22 Feb

To answer your question, GT, Michael Korda, who was Graham Greene’s friend and editor says that Greene and Errol did meet in Havana, for drinks at the Hotel Inglaterra.

They would have had much to discuss aside from politics. Greene knew a great deal about Hollywood films. Moreover, both their careers were nearly destroyed by infamous encounters with underaged girls.

In Greene’s case, however, his actions were quite calm and premediated and he was fully aware that the girl in question was nine years old.

From 1935 to 1940, Greene worked as the film critic for The Spectator magazine, one of the publications for which I write. In total, he reviewed 400 films, including two of Errol’s, (the notices of which I am trying to find in the archives.)

In 1937, in the supplement, Night And Day, Greene chose to review ‘Wee Willie Winkie’, the new Shirley Temple vehicle. I reproduce the article below. Please bear in mind that Greene was a humourist with a penchant for irony.


Night And Day, October 28th, 1937

‘Wee Willie Winkie’ (20th Century Fox)

by Graham Greene

‘The owners of a child star are like leaseholders – their property diminishes in value every year. Time’s chariot is at their backs: before them acres of anonymity. What is Jackie Coogan now but a matrimonial squabble? Miss Shirley Temple’s case, though, has peculiar interest. Infancy with her is a disguise. Her appeal is more secret and more adult. Already, two years ago, Miss Temple was a fancy little piece. In ‘Captain January’, she wore trousers with the mature suggestiveness of a Dietrich.

Now, in ‘Wee Willie Winkie’, wearing short kilts, she is a complete totsy. Watch her swaggering stride across the Indian barrack-square; hear the gasp of excited expectation from her antique audience when the sergeant’s palm is raised; watch the way she measures a man with agile, studio eyes, with dimpled depravity.

It is clever, but it cannot last. Her admirers – middle aged men and clergymen – respond to her dubious coquetry, her well-shaped and desirable little body, packed with vitality, only because the safety curtain of story and dialogue drops between their intelligence and their desire. ”Why are you making my Mummy cry?” – what could be purer than that? And the scene when dressed in a white nightdress she begs grandpa to take Mummy to a dance – what could be more virginal? On those lines in her new picture, made by John Ford, is horrifyingly competent. ‘



In those days, film critics did not write articles accusing studios and child stars of catering to paedophilia. The bien pensants failed to see the funny side and created an uproar. Fox sued, and, as a result, night descended on Night And Day and, for a few months, Greene’s career as a critic.

Greene was not a very nice man – well, let’s be fair, he was a bit of a shit at times, but after ‘Wee Willie Winkie’, one can forgive him everything. Besides, in all seriousity, he may have had a point. (Just being ironic again, of course. Gosh, Americans, though I love you all, can be so damn literal.)


— PW


Up That Rigging, You Monkeys! Aloft!

22 Feb

Further proving Errol’s profoundly unique entertainment importance and popularity can never be fenced in, nor fenced out, here is an account of one way in which his sublime cinematic swordfighting has influenced new generations through video gaming, albeit in an “insulting” manner.…

~”It would be Hollywood star Errol Flynn that gave the answer needed.”…

— Tim


Our Man in Havana

21 Feb

Great article on Graham Greene’s portrait of Havana, coincidental to Errol’s time and adventures there in the late 50’s.

Did Flynn know Graham Greene? Anyone know? (PW? This is America calling) … I imagine so, being that Greene was such a very respected and successful British writer, and avid traveller, who, I believe, spent significant time in Jamaica as well as Cuba during Errol’s years on both islands. Plus, he, like Our Man Flynn, was a noted supporter of early Fidel.…

Graham Greene’s Havana, cocaine and Obama’s “new chapter”

— Tim



20 Feb

How to play Trooper.

Official video banned by the BBC.

Performances surrounded by controversies.…

— Tim


Sunday at and about Sepy’s

19 Feb

Into Ye Little Wood, following in the footsteps of Flynn’s friend Sepy. Coconut Grove, Miami

Per the previous posts and superb Flynnvestigations of baronheinz:

The Barons of the Bodeguita

Into Ye Little Wood we go ...

Ye Little Wood Metal Gate

Not fareth from Ye Little Wood hood, on Calle Oche, featuring the old culture of Errol & Sepy’s old Cuban stomping grounds.

Across the calle, a restaurante featuring a painting of La Bodeguita del Medio, the epicenter of Errol & Sepy’s pre-Castro drinking grounds .

For the record, I was unable to get updated photos of Sepy’s fascinating “charging bull” manse because of new neighbors, fencing and security, but I did get to see most of it from a distance of about only twenty yards, and, quite surprisingly, it appears nearly exactly how it did on my last visit, with, as far as I could see, apparently little or no further construction in over two years!

Thanksgiving Day at Baron Sepy’s Place


— Tim


Steve McFlynn

19 Feb

Dear fellow Flynn fans,

I couldn´t help but notice the many parallels between “The King of Cool” and “The Baron of Mull”, while reading the intimate, in-debt biography “Mein McQueen” (“My McQueeen”) written by German journalist Christian Krug. He managed to interview Steve`s last wife, Barbara and came up with some rare footage and little known facts about the superstar actor, who once boldly stated “I live for myself and answer to nobody”. Sounds very much like our Hollywood hero´s “I do as I please.”, doesn`t it?
Now with Errol`s longtime business partner Barry Mahon being an adviser on the set of “The Great Escape”, there is a certain possibility that he and Steve swapped stories about the swashbuckler of old. You see, Mahon was a flying ace from WWII and what yachts did for Flynn, aircrafts did for McQueen. Always on the move, flying his plane from his hangar home to his prefered airport at Indian Dunes just for a cup of coffee, he stated: “When I did “The Great Escape”, I kept thinking, if they did a movie about my life, that`s what they`d call it- the great escape!”
McQueen like Flynn asked for $50.000 for even looking at a film script. Definitely a trend Errol started. Steve McQueen put it that way: “Stardom equals financial success and financial success equals security- I`ve spent too much of my life feeling insecure”. What was meant as a move to scare off imposters worked better for Steve than for Errol. Remember, when phoney producer Fossataro`s cheque bounced, “The Story of William Tell”, which was projected as his career resurrection film, became the botched apple shot of Errol Flynn.
Both movie greats died prematurely at the age of 50. They leave behind a legency for the movies they did, as well as they didn`t get or simply refused to do. Steve for example renounced a role in Ocean`s Eleven (where Mrs. Pat Wymore- Flynn was in!) and George Peppard`s part in “Breakfast at Tiffany`s (regretting only that he didn`t get to bed Audrey Hepburn). He spared himself a heart attack in “Apocalypse Now” (he had taken a year off from filming after the similar straining shooting of “The Sand Pebbles”), could have starred instead of Clint Eastwood as Dirty Harry (opting for Sam Packinpah`s “The Hunter”) and upon insistence from Paul Newman got replaced with Robert Redford in “Butch Cassidy and the Sundance Kid”, apparently because the Western town wasn`t big enough for the both of blue eyes.
Let me finish this with a quote from McQueen that sounds like vintage Flynn: “I`m not sure that acting is something for a grown man to be doing”.

— shangheinz


Top Secret

19 Feb

How is Errol connected to this military man’s career?

— Tim