Questions, not a quiz.
Anyone know the story behind this photo – location, approximate date, name, the species of Errol’s companion, where one can find that shirt, etc. ????

— Tim
Questions, not a quiz.
Anyone know the story behind this photo – location, approximate date, name, the species of Errol’s companion, where one can find that shirt, etc. ????

— Tim
What significant event in Errol’s life happened here?

“Resting on the southern bank of the River Seine across from the famous Cathedral Notre Dame de Paris towers the mythical La Tour d’Argent. A culinary and magical experience is presented to you as soon as you step off the gilded elevator escorted by a white gloved attendant. The restaurant sits high above the real world and as soon you enter the main dining room you know you are in for something special. Everything from the yellow glow of the candle lit room to its breath taking views and luxurious decor create a perfect ambiance to fully enjoy the French gastronomy you are about to undertake. The oldest restaurant in Paris, the Tour d’Argent claims to have opened its doors in 1582 where it was created as an elegant inn to cater to the high society and aristocrats of its day. It was built using stones from the region of Champagne France, which gave the edifice a silvery likeness thus giving the tower its name La Tour d’Argent (the Silver Tower).”
“Since its opening, the restaurant has had countless famous and infamous diners throughout its 400 year history. Louis XIV, Philippe d ‘Orléans and the Duke of Richelieu were amongst the early famous faces to have their favourite tables by the windows.”
“The Pixar animated film, Ratatouille, was loosely based on La Tour d’Argent.”
Errol Flynn was friends with its legendary owner, Claude Terrail, who was rumored to be romantically involved with both Marilyn Monroe and Ava Gardner.
— Tim
Seal of the Archdiocese of Burgos, Spain

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Archbishop of Burgos, Manuel de Castro Alonso

Generallisimo Francisco Franco

Forty Years of Censorship
elpais-com.cdn.ampproject.org…
A new book recounts the alterations made to movies and their posters by censors during the Franco regime.
The censors’ scissors were never idle during the Franco dictatorship. The movie industry, with all its provocative and insinuating images, was a great source of headaches for the watchdogs of public morality – especially since going to the movies was the main form of entertainment for society in the wake of the Spanish Civil War.
And so censors were very careful to ensure that any film that was screened in Spain contained no negative influences on issues such as religion, politics, the army, prostitution, divorce or adultery.
Sex became a real obsession for the regime, and it was persecuted with all the weapons at the censors’ reach. Poster draftsmen and movie theater impresarios had to really stretch their imaginations to make their billboards reflect the American, English or French realities. This was not always achieved.
A new book, La Censura Franquista en el Cartel de Cine (“Franco’s censorship in movie posters”), by Bienvenido Llopis, analyzes 40 years’ worth of censorship in Spain through films. The conclusion is that cleavages were reduced, legs were covered up, and scenes with beds in them were avoided altogether.
Movies were banned and stills were cut out,” Llopis notes. “But it was just as important to control movie advertising. Major Hollywood stars who embraced the Republican cause – James Cagney, Joan Crawford or Robert Montgomery – had their names pulled from Spanish movie posters, while titles that might suggest a double meaning were changed.”
The idea for the book came to Llopis one Sunday morning at the Madrid flea market, the Rastro. There he was, sitting at his stand, selling movie memorabilia, when a man showed up saying he had a program for the movie Camino de Santa Fe, which had obtained the censors’ approval everywhere in Spain save for the city of Burgos. The archbishop there insisted that Errol Flynn and Olivia de Havilland’s kiss be hidden with a seal.
The man turned out to be the owner of a movie theater in Burgos, and he promised to return with the movie program. “I waited for him for many Sundays, until one day he showed up again, and when I saw [the program], I thought I have to make a book out of this.”

— Tim
“ERROL FLYNN EN CARTEGENA”
What would you do if the most popular actor in the world arrives at the door of your house at that time, greets you with your name and asks for permission to enter?
The first thing would be to be amazed and that is what happened to Don Antonio Fuentes, founder of the first record company in Colombia, the one with the yellow seal, the one with the Clock Tower of Cartagena.

Don Toño, as he was familiarly called by his employees and neighbors in La Heroica, was born in Cartagena on May 18, 1907, had toured several countries and even fell in love with the Hawaiian guitar. Upon returning to [Columbia] he set up the Emisora Fuentes and determined to rescue the autochthonous rhythms of the Caribbean. In 1934 he made the first productions of figures such as Guillermo Buitrago, Esther Forero, Los Trovadores de Barú, Lucho Bermúdez, Los Corraleros de Majagual, Pedro Laza, Rodolfo Aicardi, Los Hispanos, Gustavo Quintero and dozens of other groups.
La Heroica, Cartagena:

I always asked the artists if they had “some verses” out there and with that, I was able to do a whole song and a success. Sometimes the musicians would tune or give one more note and Don Toño would simply say, “leave that so that’s what you’re going to like”, as indeed it happened.
Thanks to the contacts of Don Toño Fuentes, the recordings were reproduced in countries such as Mexico, Cuba, Argentina, Venezuela and the United States. He had a recognition in many countries and was the great ambassador of Colombian music.
For his part, Errol Leslie Thomson Flynn, known as Errol Flynn, was the most popular actor in the decades of the 30s, 40s and 50s and was born in Hobart, Australia on June 20, 1909. He was nationalized as an American and became a star for his characters of heroes, where he combined great kisses with his adventurous movements.
One of those roles was the first version of Robin Hood, where despite appearing in green tights, a hat with feather and leather gloves, conquered the hearts of thousands of young people who melted to see the way they twisted the lips of the protagonists of the stories.
He is remembered for his roles in films such as “The Light Brigade’s Charge”, “Robin of the Woods”, “The Private Life of Elizabeth and Essex”, “Camino de Santa Fe”, “They Died with Their Boots on”, “The Island of the Corsairs”, “Swords Crossed”, of a roll of more than 50 films.
As a fan of yachting he sailed to Cartagena, according to Don Gabriel Pulido, promoter of Discos Fuentes in Bogotá. When he arrived at the walled city, he did not have a hard time finding the house of Don Toño Fuentes, where he was well received, tasted good rums, ate up the head of a cat, dined on the beaches and danced the best of coastal music.
It was an unforgettable visit [after which] he continued with films, romance, and adventure.
On October 9, 1959 he traveled to Canada in order to sell his yacht and when he was going to ride the plane back he felt bad, a doctor gave him a few days off and on October 15 he died a heart attack. The idol of the cinema left, after scarcely 50 years, [but not until after] enjoying the rum and rumba of Cartagena.
____________
Here’s a Sound on Sound account of Don Tono and Disco Fuentes:

www-soundonsound-com.cdn.ampproject.org…
— Tim

— Maria
Over at Bear Media you can see the softcover reviews for James Turiello’s wonderful book Errol Flynn: The Quest for an Oscar. Jim tells me the book is now available in Hardcover! Run over to Amazon to get the hardcover version there, too! From the Amazon/Bear Media sites Jim writes:
“Take an incredible journey with Errol Flynn on his quest for an Oscar. Errol went from complete obscurity to become one of the most sought-after men in Hollywood. Men wanted to be him, and women wanted to be with him, yet Errol had little interested in acting. He was a cadet, an overseer at a copra plantation, he ran a charter schooner, and he mined gold, to name only a few of his ventures all before the age of twenty-one. He was a free spirit who played by his own rules, much to the chagrin of the Hollywood producers.
Throughout the 1930s, 1940s, and 1950s, moviegoers loved Errol as Robin Hood, The Seahawk, and as General Custer. To quote Jack Warner of the famous Warner Bros. Pictures, “He was all the heroes in one magnificent, sexy, animal package . . . he showered an audience with sparks, when he laughed, when he fought, or when he loved. I just wish we had someone around today half as good as Flynn. Includes 200 photographs of Errol Flynn in his many movie roles, candid never-before-published images, rare posters from around the world, and some unique Errol Flynn items. 266 pages. Complete filmography with synopsis and cast of each movie.” -James Turiello.
Jim, great work and thanks for letting us all know about the new edition!

— David DeWitt
First of all, Happy Mother’s Day… and this person of interest was one!
She was a romantic “distraction” in a Flynn film.
Went by her REAL name throughout her professional career.
Born in the southern USA.
Minor double threat… in screen, stage, and more so (in her time) on tv.
Married 3 times; 2 were publicly known and they BOTH outlived her.
Shared, with Flynn, a LOVE for a location outside the US (mainland).
— Karl