Here is a suggestion for a Flynn and Son double feature. Now, while one obvious choice is “Captain Blood” and “The Son of Captain Blood”, this pairing is more interesting, I believe, because both lead characters have a major decision of conscience.

In “Uncertain Glory” (which celebrates the 70^th anniversary of its premiere this month), Errol plays what might be termed an anti-hero, in that his character is a career criminal and convicted murderer set to be executed at the film’s beginning. The film was the first production of his then, newly formed production company, Thompson Productions and was chosen by Errol as a departure from his usual heroic roles.  The character, Jean Picard (no relation to Jean-Luc Picard of “Star Trek—The Next Generation”, I think), is about to face the quillotine, when during an Allied bombing raid on Occupied France, the prison where the execution is to take place is hit. Picard then makes his escape, but is soon recaptured by Inspector Bonet, the Surete inspector responsible for Picard’s original arrest, played by American Oscar winning actor, Paul Lukas. En route to Paris, they are forced to make a detour due to the bombing of a bridge, committed by a saboteur that took out a Nazi transport train. The Nazis in retaliation have taken 100 hostages from neighboring French villages and will execute them if the saboteur is not turned over to them. Picard implores Bonet to let him surrender himself as the saboteur as he would rather be killed by a firing squad (the means of execution of the Gestapo), then face the quillotine once again. Bonet wanting to help the hostages agrees to Picard’s plan, secure in the knowledge that if Picard uses this as a device to escape he will meet with failure.  (Or so he thinks!) While in a village, as they go over their plan, Bonet announces to his superiors that Jean Picard is dead; shot by him trying to escape. They also come across the real saboteur who provides them with Intel only he would know. At the same time Picard romances an innocent girl of the village played by the beautiful Jean Sullivan.  Now that he is officially dead and has a woman he can begin a new life with, and Bonet has taken ill, will he still trade places with the real saboteur or seize this chance to escape?

Errol gives one of his better performances as a villainous man who thinks only of himself. Unfortunately critics and audiences of the day did not agree. The film did okay at the box office, but did not do the business he hoped for. Flynn biographer, Thomas McNulty says  this, of Errol’s performance “perhaps one of the best of his career”. I agree. The scenes between Errol and Lukas definitely make the film worthwhile. Two of his other co-stars of note in this film are: Sheldon Leonard who plays Flynn’s best friend who ultimately betrays him over a girl, later became a successful American television producer of such shows like “Make Room for Daddy” and “I Spy” and “the girl”, Louise, played by the beautiful Faye Emerson, would have her own show in the 1950s.

Released in the U.S. in 1964, twenty years after “Uncertain Glory” and celebrating its own 50^th anniversary release this year is “Stop Train 349”, a West German/French/Italian co-production. The film is called by Flynn biographer, Jeffrey Meyer, Sean’s “best film” and Sean in interviews said he was most proud of doing this film.

Loosely based on real events, the film starred American Oscar winning actor, Jose Ferrer and details the plight of refugees trying to cross “the Berlin wall”, one in particular who tries to use a train run by the U.S. military, as an escape vehicle.

The film starts with a prologue, detailing (for those unfamiliar with U.S. President Kennedy’s “Ich Bin Ein Berliner” speech) the building of the Berlin Wall, all set to strains of a song titled, “Goodbye, Berlin, Auf weidersehen”! After this introductory scene, the audience is introduced to Jose Ferrer’s character, an “ugly American” type reporter who makes his way onto the train and butts heads with the train’s military commander, a young lieutenant played by Flynn. The train is held at Marienborn station (the border between East and West Berlin) because the Communist officials at the station believe an East Berlin citizen is illegally on board. What follows is a political standoff between the Americans on the train and the Russians and Germans at the station. The film shot in black & white has a stark realism. Sean’s performance as a good “Joe” caught in the middle of a difficult situation is slightly uneven, but basically effective.

The film was initially released in West Germany in 1963 as “Verspatung in Marienborn” and released in the U.S. by Allied Artists as “Stop Train 349” in 1964. It won the best “youth” film award at the 1963 Berlin International Film Festival. In the U.S. while Jose Ferrer was the nominal star, Sean was still listed as “the son of Errol Flynn” in all advertising for the movie. Allied Artists’ brazen exploitation of Sean’s parentage aside, the movie only did fair box office in the U.S.

In their respective films, the Flynns have difficult decisions to make. Both got mixed reviews for their performances. But I feel this makes an interesting double bill. Both are a product of their time. See for yourself. “Uncertain Glory” is part of the TCM Spotlight collection: the Errol Flynn Adventures DVD collection and can be seen occasionally on the TCM cable channel. Stop Train 349” is also available on DVD from different on-line dealers such as Amazon.com… and Movies Unlimited, as well as can be seen on the SeanFlynnCambodia YouTube channel.—A. R.

— ILIKEFLYNN

Incredible! Errol was really something!! You’ve got to read this.

Good for Marianne … I mean Gillian!!!
(My Mom wants a copy! .. Maybe I’ll get it for Mother’s Day!)

www.express.co.uk/news/showbiz/470862/Dame-Gillian-Lynne-Nights-with-Errol-Flynn-dancing-for-the-Queen-and-keeping-fit-at-88…

gillianlynne.com…

— Tim

With this tab I hope to intiate and create with fellow EFB authors a compendium of information, records & images documenting Errol’s cruises on commercial passenger ships throughout his life. Here are some initial names of, images, and information concerning these vessels, with timeframes Errol was on board – to be expanded upon here and in subsequent posts/comments:

PASSENGER SHIPS ON WHICH ERROL TRAVELED (AS A PASSENGER):

S.Y. Aurora (Per MWWW, 1908 or 9)

S.S. Berrima (1922)

Montoro (September of 1927) (October of 1929)

Kokopo (commercial schooner) (April of 1933)

SS D’Artagnan (May of 1933)

Empress of Asia (Spring of 193)

Fusham (Chinese packet boat) (Spring of 1933)

SS Compiegne (June of 1933)

SS Paris (November of 1934)

RMS Queen Mary (April of 1937)

SS Matsonia ( October of 1938)

SS Lurline (November of 1938)

— Tim

In case you missed author/blogger and Errol Flynn biographer Tom McNulty on Jack Marino’s LA Talk Radio Show:

— David DeWitt

— tassie devil

The Errol Flynn Society of Tasmania is to support the younger drama students in the Hobart Eisteddfod with a cash prize for a period of ten years. The syllabus has been released and can be viewed at the address below. Have a look at page 44 (55 in right column) for the mention of the society. The society had some monies in deposit and wanted to support young drama students under 18 in the hope that our prize may help them to realise a dream and possibly go through to an acting career as did our most famous Tasmanian, Errol Flynn.

hobarteisteddfod.com…

— tassie devil

This is a fixed version of what you posted. I made a few mistakes but I am not going to tell you what they are. This was a fairly simple fix and I enjoy doing them. To get it perfect it would take alot more time but for what it is its pretty good I think. I have done many old photos and if you go to my Facebook page you can see them. If I ever decide to do this for money I will have to get a better program. I hope this is what you had in mind. Rick

— twinarchers