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That’s LIFE

15 Apr

Drunk or Not So Drunk – That was the Question
_______

LIFE Magazine – April 1, 1939

“Last fortnight [Virginia City’s] population totaled 500, most of whom got so drunk that Warner Bros. curtailed its visit and hustled its valuable stars back to Reno’s safer streets.”

Famed Ghost Town of the Comstock Lode Awakens for the Premier of “Virginia City” – See page 32

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LIFE Magazine – April 15, 1939

No Black Eye for Errol

Drunks in Virginia City

SIRS:

THE UNDERSIGNED REPRESENTING THE PEOPLE OF VIRGINIA CITY DEMAND THAT YOU RETRACT AND APOLOGIZE IN YOUR NEXT ISSUE THE FOLLOWING ISSUE PUBLISHED IN IN APRIL FIRST ISSUE, PAGE 32: “LAST FORTNIGHT ITS POPULATION TOTALED 500, MOST OF WHOM GOT SO DRUNK THAT WARNER BROS CURTAILED ITS VISIT AND HUSTLED ITS VALUABLE STARS BACK TO RENO’S SAFER STREETS.” THE STATEMENT IS FALSE AND AN INSULT TO THE PEOPLE OF VIRGINIA.

WILL COBB, STATE SENATOR – THOMAS LYNCH, ASSEMBLY MAN

VIRGINIA CITY, NEV.

Editor’s Response: Thousands of visitors poured into Virginia City that day. Probably they were the ones that raised most of the commotion. The fact remains that what made the movie stars hustle back was the conduct of the patrons of the Virginia Theater where the stars were scheduled to make personal appearances. Said a U.P. dispatch to the New York Times: “So gala was the occasion that Manager Hart installed a bar in his lobby and served free whiskey and champagne to all ticket holders…. Manager Hart rushed new relays of case goods from the Bucket of Blood across the street.” When the Warner Bros. executives reached the theater, they decided the patrons were drunk, that the situation was too dangerous for them to risk their valuable stars. If Errol Flynn, for instance, had received a black eye from a flying bottle, it would have cost them $20,000 a day. So they took everybody back to Reno.

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LIFE Magazine – May 6, 1940

“Champagne in the Streets”

I read your issue of April 15 that Warner Bros.could not risk taking Errol Flynn et al into the Virginia City Theater because they decided “the patrons were drunk” and there was some danger Mr. Flynn’s being hit by a flying bottle.

I do not know who your informant is, but he or she s – to put it mildly – a liar. I was in that theater. My family was there. great many people I know were also there. There was no drunkenness and no disorderly conduct. Mr. Flynn would have been very much safer than he was in Reno.

True, Mr. Hart did dispense free champagne, but those who drank it were on the streets and not in the theater.

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Errol the Auctioneer, on the same stage used by Gentleman Jim Corbett, Mark Twain, Lillie Langtry, John Philip Souza, and Edwin Booth, among many other legendary greats

“Piper’s Opera House is a historic performing arts venue in Virginia City. It served as a training facility in 1897 for heavyweight boxing champion Gentleman Jim Corbett, in preparation for his title bout with Bob Fitzsimmons. The current structure was built by entrepreneur John Piper in 1885 to replace his 1878 opera house that had burned down. The 1878 venue, in turn, had been to replace Piper’s 1863 venue which was destroyed by the 1875 Great Fire in Virginia City. Mark Twain spoke from the original Piper’s stage in 1866, and again a century later in the third venue, as portrayed by Hal Holbrook in his one-man play Mark Twain Tonight! A lynch mob hung a victim from the first venue’s rafters in 1871. American theatrical producer David Belasco was stage manager at the second opera house before moving to New York City. Piper’s opera houses played host to Shakespearean thespians such as Edwin Booth. Musical performers Lilly Langtry, Al Jolson and John Philip Sousa once performed here. In 1940, Errol Flynn auctioned off historic Piper memorabilia from the opera house stage, during a live NBC broadcast that coincided with the premiere of Flynn’s new movie Virginia City.”

— Tim

 

In Memoriam: Bud Ernst — Flynn’s First Buddy in Hollywood

14 Apr

He Died 70 Years Ago This Week

From My Wicked, Wicked Ways:

“It was the beginning of 1935. I bought a little car. Often I went for a spin with a big fellow named Bud Ernst.
He was six foot five, weighed about two hundred and fifty pounds. He was a flier, a fun guy.”

“He was my first and long-time friend in Hollywood. … We certainly had memorable times together in my early days behind the fog, smog, and grog curtain of Hollywood. How many words would you like on the shock a man gets when his dear friend, a roistering, Falstaffian ruffian, suddenly goes out, buys himself a 16-gauge double-barrel shotgun, some cartridges, and blows the top of his head off.”

Report in the New York Times, April 11, 1950

On June 20, 1935 – a date that will live in Flynnfamy – Bud flew Errol and Lili to Yuma to tie the knot. Five days following, he flew himself and Lyda Roberti to do the same.

One of Errol and Ernst’s “memorable times together in the early days”:Adventure at Asuncion Bay

Bud’s father, Hugh C. Ernst, was the brilliant business manager for the phenomenally successful bandleader Paul Whiteman, who had a major role in the 1924 first performance (by George Gershwin and the Paul Whiteman Orchestra at Aeolian Hall in New York) and subsequent popularizing of what many believe to be America’s most important musical composition, Rhapsody in Blue. After managing Paul Whiteman, he became a major executive with NBC. Through his father, Bud grew up “knowing everybody” in the world of music and radio.

Bud was director of the pioneering and hugely popular radio show “Queen for a Day”. Here’s one of the the show’s broadcasts, from February 1950, less than two months before Bud’s death:

Queen for a Day

— Tim

 

Disney’s remake of Robin Hood animated movie

12 Apr

After introducing live-action formats to classics such as ‘The Lion King’, ‘Aladdin’ and the latest ‘Mulan’, Disney is working on remaking the 1973’s classic animated film ‘Roin Hood’ for its streaming platform Disney Plus.

The remake version of ‘Robin Hood’ will be helmed by Carlos Lopez Estrada, who is known for working on ‘Bindspotting’. According to Hollywood Reporter, the new film is to be a musical and will include anthropomorphic characters in a live-action/CG hybrid format.

The deal was reportedly sealed before the lockdown due to the coronavirus pandemic and the project is in its early development, according to reports.

However, the news regarding the remix of the classic hasn’t been well received by fans, who are asking Disney to “reconsider” its options as there can never be a “good live-action ‘Robin Hood’ movie.”

And some, terming it disrespectful to the original, wrote, “This is particularly insulting because we already have a perfect ‘Robin Hood’ movie with Errol Flynn. No one’s been able to top that. I’m assuming that this will be a mocap movie with real sets and locations. What else could Disney do to justify calling it ‘live-action’?”

One fan, who is of an opinion that Disney always takes good classic movies and turns it bad, said, “Bad idea. ‘Robin Hood’ has been remade COUNTLESS times. Why can’t corporations just leave the classics alone? I know it’s for a generation but more often than not, they find a way to screw the classics up.”

Meanwhile, another agitated fan added, “Unpopular opinion but Disney’s ‘Robin Hood’ is a masterpiece all on its own, and shouldn’t be tampered or remade. Disney, please consider your options.”

Similar to the original, the remake version is said to portray the Sherwood Forest warrior as a fox and Little John as a black bear, Friar Tuck as a badger, the wolf as the sheriff of Nottingham and Maid Marian as a vixen.

However, fans have expressed disappointment in Disney for not coming up with something new.

“What is wrong with Disney? No one likes the remakes- spoils the original. I’d be sacking my story writers – just come up with something new already. ‘Robin Hood’ is one of my all-time faves, I can still recite it word for word,” lamented one Twitter user.

Robin Hood as Fox

— tassie devil

 
2 Comments

Posted in Main Page

 

1000 anchor at Lock, Stock and Errol

11 Apr

Dear fellow Flynn fans,

member no. 1000 came aboard my Flynn FB site LOCK, STOCK and ERROL this week. If you fancy errolarities and flynnanigans, as well as vintage vignettes from this blog, you are on the right spot. To celebrate the shimmering spirit of all eternal Flynnmates worldwide, I posted a german gem of Errol Flynn video material here: m.facebook.com…

Enjoy, rejoice and join,

— shangheinz

 

Baron the Bengal Lancer — April 10, 1939

10 Apr

Lives of a Bengal Lancer

Presented by Cecil B. DeMille

Starring Errol Flynn, C. Aubrey Smith, Bruce Aherne, and Jackie Cooper

Lux Radio Theater
Air Date: April 10, 1939

“A thrilling story of the Her Majesty’s Lancers who bring peace and order to a far flung corner of India, suggested by the book of Francis Yeats-Brown.”

“The intermission guest is General Hugh Johnson, Member of FDR’s Brain Trust, director of the National Recovery Administration, columnist, and soldier under General Pershing. He spoke from Washington D. C.”

At the broadcast’s conclusion, Errol gives a big thanks to his fans throughout the U.S., with especial gratitude and praise for those who attended the Dodge City World Premier nine days earlier, on April 1, 1939.

Inspired by Lives of the Bengal Lancers with Gary Cooper, the film that inspired Warnet Brothers to produce The Charge of the Light Brigade.

youtu.be/7x-DgnbkeyA…

— Tim

 

The Wrong Combination Quiz

10 Apr

If the below image could be described as “The Right Combination”, what ad could be called The Wrong Combination?

Clues:

Errol and

Smokin’ Like Flynn

In an ad published that same year

Involving a film very different than Dodge City

— Tim

 

Separate Ways

09 Apr

April 8, 1943

Evening Herald Express

ERROL FLYNN FINAL DIVORCE DECREE

Errol Flynn and Lili Damita went their separate ways today.

The actress received her final divorce decree, ending another episode in Flynn’s courtroom capers. Superior Judge William S. Baird entered the decree, which followed an interlocutory award to Miss Damita on April 1, 1942.

SUPPORTING PLAYERS

Ann Sheridan:

During filming of Edge of Darkness, throughout the fall of ’42 and into ’43, it was increasingly rumored and reported that Errol and Annie were romantically involved – rumors and reports that likely incensed Tiger ‘Lil.

Judge William S. Baird:

Judge William S. Baird spent three decades on the Superior Court, retiring Feb. 1, 1952. Some of the lighter moments got into print. Among his cases was one in which actress Gail Patrick (later “Perry Mason” executive producer Gail Patrick Jackson) was suing for divorce from Robert H. Cobb, owner of the Brown Derby restaurants. United Press reported on Nov. 14, 1940 that Patrick testified that Cobb’s disposition “humiliated me, embarrassed me, and made me nervous and ill.” UP said Baird interjected: “Well, you must have known his disposition.” She nodded in agreement and Baird asked: “Well, then, why did you marry him?” The actress responded: “We were both Irish.”

A 1942 wire service story said: “Superior Judge William S. Baird knows women as well as law. “A lawyer asked Charles K. Matthay yesterday if his actress-wife Virginia Hall felt she had been properly clothed. “No woman,” observed the judge, ‘feels she is properly clothed.’”

A 1943 report from United Press began: “Superior Court Judge William S. Baird is believed to be the only judge who ever awarded alimony to a horse.” He approved an agreement under which the husband made monthly payments for the upkeep of two horses.

Here is a still photo of a still used as evidence in one of Judge Baird’s many newsworthy cases. This is one of the first cases following a new law that made it a felony to have a still. The still was too large to present as evidence in court, so it was exhibited to Judge Baird outside the LA Hall of Justice on July 15, 1927.

— Tim

 
 

Earnest Errol

08 Apr

April 8, 1944

Bosley Crowther
New York Times

An uncommon lot of “criminals” seem to be doing noble things for France these days—at least, in motion pictures. There was Humphrey Bogart in “Passage to Marseille” and Jean Gabin in “The Impostor.” Now it is Errol Flynn who is abandoning crime for patriotism in “Uncertain Glory,” at the Strand.

In this rather hopped-up Warner picture, which takes place in occupied France, Mr. Flynn plays a man condemned for murder who, in hopes of getting away, offers to surrender himself to the Nazis as a particularly desired saboteur. The offer is grudgingly accepted by Paul Lukas of the French police, who suspects Mr. Flynn’s intentions and keeps a careful watch on him. But when the chance does come for Earnest Erroll to take it on the lam, he does the noble thing bravely. You see, he had meanwhile met a girl. (It is always, or almost always, a girl who inspires Mr. Flynn.)

You may note that our references to characters have been by their own familiar names. It is because this picture is plainly an actor’s vehicle. An air of French actuality is entirely foreign to it. The whole thing is artificial, in structure, mood and atmosphere. But if you accept it on that basis — as a purely theatrical show — it does have some compensations in the entertainment line. The sparring of Mr. Lukas and Mr. Flynn is amusing throughout, mainly because of the performance of Mr. Lukas as an anxious plain-clothes cop. (Mr. Flynn is his boyish self, as usual, and quite remote from a faithful criminal type.) Director Raoul Walsh has keyed it to a subdued, suspenseful pace which is suggestive of explosive tension, even if it never explodes. And Jean Sullivan, who bears a close resemblance to Teresa Wright, is a nice new face in it. However, we casually wonder what values one can hold to when one sees Errol Flynn as a murderous criminal symbolizing the spirit of France.

UNCERTAIN GLORY; screen play by Laszlo Vadnay and Max Brand; from an original story by Joe May and Mr. Vadnay; directed by Raoul Walsh; produced by Robert Buckner for Warner Brothers. At the Strand.

A version of this article appears in print on April 8, 1944 in the National edition with the headline: Errol Flynn Assists the French Underground in Strand Film, ‘Uncertain Glory’

— Tim

 

THE BIG FLOP – April 7, 1991

07 Apr

Early Promise in FLA

But a Big Flop in NYC

Despite Starring the Amazing Tracey Ullman, The Big Love Gets Only Small Audiences and Closes After Only 41 Performances, on April 7, 1991

— Tim

 

Flynn and the fiercest forehand

06 Apr

Dear fellow Flynn fans,

Francisco Olegario Segura called “Pancho” by friends and pros, had what many labeled the best forehand ever in the history of tennis.

Former World No. 1 Player Ellsworth Vines remembered it all too well: “(His) Two-handed forehand is most outstanding stroke in game’s history; unbeatable unless opponent could avoid it.”

Pancho, the eldest of  7-10 children (reports vary) was born in Ecuador on a raft on the way to the hospital on June 20th 1921.

Not only did he share Errol`s birthday, but also crossed rackets with him in later years in Spain.

“I used to play at midnight in Madrid for 1000 dollars. Errol Flynn would send a chauffeur to pick me up.”

After an exceptional career on the lawns all around the world, considering he had suffered from rickets and malaria from an early age, he settled in the US and taught many flynntimos his most deadly shot at the Beverly Hills Tennis Club.

Ava Gardner, Kirk Douglas and Shelley Winters, just to name a few, honed their tennis court skills with this great character known for his humor, relentnessness and  longevity.

He retired at 49 at the US open and died at 96 with fond memories of mentoring Jimmy Connors and to a lesser extent the son of Dean Martin to felt ball stardom.

Enjoy,

 

 

— shangheinz