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Archive for the ‘Behind the Scenes’ Category

Charles Chauvel — The Man Who Launched Errol’s Career in Movies

12 Nov

New York Times — November 12, 1959



Charles Chauvel was both a producer and director, wrote his own scripts and handled casting and a great deal of the publicity. After marrying Charles, South African actress Elsie Sylvany changed her name to Elsa Chauvel and became an instrumental part of Charles productions, handling make-up, continuity in the early films, and later co-writing scripts. Their first sound film “In the Wake of the Bounty” gave Errol Flynn his first screen role, as Fletcher Christian of the Bounty, and was filmed on Tahiti and the remote island of Pitcairn.

Charles Chauvel

(Gorgeous) Elsa Chauvel

In the Wake of the Bounty – The Book

Premier at the Prince Edward Theater in Sydney

How Errol was discovered by Charles Chauvel. …An alternative account, often regarded more accurate, is that Errol was brought to the attention of Chauvel by John Warwick,an actor in the film, who apparently was impressed at Bondi Beach by Errol physique, charisma, and charm, and brought him (possibly to a casting session) to see Chauvel. There has also been a humorous account I heard many years ago – perhaps started by Errol himself – that, in order to get the role of Christian, he deliberately punched and broke the nose of the actor already slated for the role in a Sydney saloon the night before filming began.

— Tim

 

The Impact of World War I on Australia

11 Nov

Remembrance Day, 2020

First and Foremost, Thank You and Great Praise to the Amazingly Valorous Veterans and Active Military of Austtralia, Who have Repeatedly and Very Bravely Risked Their Lives and Sacrificed So Much to Help to Save the World from Evil and Oppression Around the Globe….

How Might World War I have Impacted Errol’s Opinions of War?

Quoting:

~ “World War 1 had a profound impact on Australian society. Anzac Day, commemorating the landing of Australian and New Zealand troops on the Gallipoli Peninsula on 25 April 1915, is Australia’s most important commemorative day. The Anzac legend, representing the Australian fighting man as a resourceful, resilient, even cheerful warrior, has become part of Australia’s folklore. It has been an accepted part of the culture for generations of Australians. More recently it has been questioned increasingly. That same Anzac landing really heralded Australia’s entry into the First World War, a war that took nearly 60,000 Australian lives. The tremendous cost of the War (Australia’s casualty rate, in proportion to the number of troops engaged, was higher than for any other country in the British Empire) left an indelible scar on the nation.”

THE DAMAGE INFLICTED ON THE AUSTRALIAN HOMEFRONT

Dawn Patrol 1938, with Australian-American Errol Flynn…


Errol regarding the sometimes destructive nature of man…


Gallipoli 1981, with American-Australian Mel Gibson…


The Water Diviner 2014, with that other Australian Robin Hood

— Tim

 

Birthday Tribute to Bad Prince John

10 Nov

THE TORRENTIALLY TALENTED CLAUDE RAINS
ONE OF TYE GOLDEN AGES GREATEST ACTORS
BORN NOVEMBER 10, 1883

youtu.be/nPBIWchcAkY…

— Tim

 

Dreams & Contradictions

10 Nov


— Tim

 

On Board Zaca – Overboard Movies

08 Nov

Misadventures pf Captain Fabian, The Man Who Cried, and Hello God

The film was originally known as The Bargain and was based on a script by Errol Flynn himself. Flynn entered into a multi-picture deal with William Marshall to produce the film, among others, in July 1949. It was to be produced independently with a distributor sought later. Micheline Presle was borrowed from 20th Century Fox to play the female lead. Gérard Philipe was to be in the cast but did not appear in the end. (Presle and Marshall later married.)

At one stage the film was also known as Bloodline and New Orleans Adventure. Filming started on July 15, 1950 in Paris under the title of The Bargain. Exteriors representing New Orleans were recreated in the city of Villefranche with studio scenes shot at the Victorine Studios in Nice and the Billancourt Studios in Paris.

Under Errol Flynn’s contract with Warner Bros, he was allowed to make one “outside” film a year until 1962, provided it had a major distributor. Flynn later claimed that during filming, William Marshall “secretly” committed the film to being released by Republic Pictures, one of the smaller studios. Both Warner Bros and MGM, who had films starring Flynn awaiting release, were unhappy with this. Flynn worried that Warner Bros would use this as an excuse to cancel their contract with him on the basis that Republic was not a major. On 18 December 1950 he filed suit in the Los Angeles Superior Court asking them to stop Republic from releasing the film and to stop Warner Bros from cancelling the contract until the court could determine that Republic was a “major” distributor.

The movie was meant to be the first of two films from Flynn and Marshall, the second which was to be The Man Who Cried, a psychological thriller about the perfect crime set over a four-hour period, but this wasn’t made due to a dispute between Marshall and Flynn over Hello God.

In January 1952, Flynn asked a court to formally end the partnership with Marshall.

youtu.be/bifnX3IUyBA…

— Tim

 

B for Baron?

06 Nov

New York Daily News, November 6, 1942

By Frederick C. Othman

Los Angeles, Nov. 5 (U.R).

Peggy Larue Satterle, 16-year-old night club charmer, testified today that film actor Errol Flynn stopped at a physician’s office “to get some vitamin B pills, or something,” before he took her aboard his yacht for the cruise on which he is accused of raping her twice. She and Flynn were having dinner at Chasen’s, she said, before boarding the Sirocco, Flynn’s yacht, for a weekend cruise to Catalina Island. She said Flynn telephoned his doctor while they were dining and that on the way to the yacht harbor he stopped at the doctor’s office. “He got some vitamin B pills, or something,” she said, to the high amusement of the courtroom crowd.

— Tim

 

Remember, Remember – The Fifth of November

04 Nov

The Fifth of November, 2020

A Timely Interruption

“The film V for Vendetta is a wonderful mix of Phantom of the Opera, Errol Flynn, and the Count of Monte Cristo, combined with modern day reaction to government overreach.”

“V is a beautiful spectacle of a film, with heavy doses of Shakespeare and Errol Flynn…”

“V is an anti-hero character … with an endearing Errol Flynn like persona.”

“V is dashing and sympathetic, like an anarchist Errol Flynn.”

“The film does a phenomenal job of insinuating flippant Errol Flynn…”

Can You Hear It?


Errol-like Repartee and Fight Scene

youtu.be/vPlT2uKruwM…

— Tim

 

Fickle Errol Switches His Lady-Loves!

04 Nov

“Errol Flynn’s wives, fiances, wives, and assorted girlfriends – in screen adventures, as well as his well-heeled real life – have tended toward the dark, sultry, exotice type. But Flynn has just changed.”

September 2, 1950

TRUTH – Brisbane, Queensland

FICKLE ERROL FLYNN SWITCHES HIS LADY-LOVES! – “WILL HE WED PATRICE??”

September 10, 1950

TRUTH – Sydney, New South Wales

THE LOVES IN ERROL’S LIFE


MADERA TRIBUNE – October 23, 1950

— Tim

 

The Ghost of Mulholland — The Specter of Errol — — Was it Real? Who was It?

31 Oct

Happy Errolween. October 31, 2020. Don’t be afraid of no ghosts.

The Ghost of Mulholland

Many if not most residents of and visitors to Mulholland Farm after Errol’s death claim that the home and estate was haunted. Some, like Ricky Nelson, believed it was Errol himself. Ricky’s daughter, Tracy, believed it was haunted by an angry woman. Others reported to have experienced a ghost of an identity unknown to them. Perhaps there were multiple ghosts? Or, perhaps there were none at all.

What do you believe?

The excellent video below provides a brief history of Mulholland Farm, asserting unequivocally, beginning at 6:57, that there was a ghost.


The Specter of Errol?

Below the video is a link to a former EFB post, titled After Party Ghost List, addressing the possibilities of ghosts at Mulholland, on the Zaca, and elsewhere.

After Party Ghost List

— Tim

 

DeMarrying Mr. MacEvoy

29 Oct

Prologue

~ “In 1940, Freddie MacEvoy married Beatrice Cartwright, an heiress to the Standard Oil fortune. He and Beatrice (twice his age) had lived together at the Badrutt Palace in St. Moritz for several winters, prior to their marriage. One year, McEvoy brought a much younger model to “care for him,” explaining to Cartwright that he must have a younger lover than her. The marriage lasted two years, and in the same year they were divorced, he married Irene Wrightsman, the 18-year-old daughter of the president of Standard Oil of Kansas.”

October 29, 1942

The Daily News (Perth, Australia)

Here’s the Wiley Mr. MacEvoy with Buster Wiles, three months later…

Postscript

Four years later…

August 29, 1946

The Daily News (New York, New York)

~ “During the Forties, Freddie often stayed in Mexico City with Countess Dorothy di Frasso, one of Freddie’s most generous patrons. Di Frasso spread his fame among her friends for his bedroom performances, which she said was worth all the money she gave him.

In 1945, McEvoy began a long-running affair with the wealthy heiress, Barbara Hutton. Hutton agreed with di Frasso concerning Freddie’s skills, considering him a superb lover, and felt that he understood women better than any man she had ever met. They later lived together at a fashionable ski chalet in Franconia, New Hampshire, which Hutton bought for McEvoy. They never married but remained friends throughout his life.

McEvoy eventually married French fashion model Claude Stephanie Filatre. On November 7, 1951 they were sailing on his 104-ton schooner, Kangaroo, near Cap Cantin off the coast of Morocco when a storm hit. The ship went down, but Freddie lashed his wife and maid to the mast, and then swam to shore seeking help. But he was unable to find any assistance and swam back out to the mast. He and Claude Stephanie then began swimming to shore, but she was unable to make it. He attempted to tow her to shore, but the waves pulled them to sea, they crashed against the rocks, and were not seen alive again. Their bodies were recovered the next day.


Earlier in ’51, Vincent Van Spartacus was making a play for Irene…


— Tim