Dear Flynnstones,
who agrees with me that this picture captures the chemistry of Errolivia to an almost feelable degree?
Enjoy,
— shangheinz
Dear Flynnstones,
who agrees with me that this picture captures the chemistry of Errolivia to an almost feelable degree?
Enjoy,
— shangheinz
Dear Flynnstones,
in later years Lili Damita became a fixture in the social circles of Palm Beach. Always the diva no ray of sun was to alter her skin of porcelain.
Enjoy,
— shangheinz
Dear Flynnstones,
2023 marks the 100th birthday of outstanding Austrian actor Oskar Werner. Vienna celebrates this terrific thespian with an exhilarating exhibition in one of the oldest cinemas alive, the theatre boothed METRO KINO.
While Werner and Flynn very probably never met, I couldn’t help but notice parallels between the two men, who could draw an audience by name alone. Both were promoted to demi-god status early. Errol went from Blood to Hood, Oskar from Hamlet to leading lad. The two were hailed, held back, written off, resurrected and rediscovered by an industry which applies band aids to searching souls in the form of cheques, contracts and chateaus.
Hollywood will eventually give you an Academy Award for a life of misuse and abuse, provided one survives it.
Watch it again tonight,
— shangheinz
Dear Flynnstones,
on June 2nd 1954 a stovepiped Errol could be spotted at the annual Epsom Derby in Surrey County.
The Baron was not the only royalty in attendance.
[embedyt] www.youtube.com…
Enjoy,
— shangheinz
Dear Flynnstones,
until recently very little was known about child actor Guido Martufi, who played Errol‘s son Jimmy/Gemmy in “The Story of William Tell“.
Little Guido won over Jack Cardiff in a casting, which saw him competing against Flynn‘s real life son Sean.
At 12 years he recently had completed “I Vitelloni“, the Fellini film prior to “La Strada“.
As it turns out this child prodigy had already done a tour to Hollywood before, starring in “Westward the Women“ by “Beau Geste“-director Willam A. Wellman and in Fred Zinnemann‘s “Teresa“.
He would go on after the missed appleshot to act in Selznick‘s remake of “Farewell to the Arms“ and appear in some comedies of Totó, the Italian Charlie Chaplin.
Then at age 20 he would abruptly stop and never act again.
In an Italian interview in 1999 he promised a biography by an American film journalist, which by the sheer size of his work would have made for the slimmest book east of the English Kamasutra.
Enjoy,
— shangheinz
Dear Flynnstones,
Austrian magazine Film+Funk ran a home story on Family Flynn in February of 1957.
They visit an Errol in great form in Great Britain.
All eyes are on little Arnella as she visits her Pa on the set of his TV-series.
She tears at his fake czar like beard and shakes hands with the “most important person“ on the lot, producer Norman Williams- „…the man who‘s handing me my pay cheque…“
TV in the 60s meant less work than for a movie with equal pay and a nation wide exposure.
No wonder our Hollywood hero felt revived.
After work saw the perfect papa coming home to wife, kid, Swiss nanny and parrot Guapa.
Enjoy,
— shangheinz