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Errol’s Beloved Dog, Arno

06 Sep

This article I have just came across an article online about Errol’s Beloved Schnauzer, Arno:

Arno, the Schnauzer who was the love of Errol Flynn’s Life

Not a Giant Schnauzer, a standard one, but Arno was almost as well known as his famous owner, the late actor, Errol Flynn.

Errol had a bad reputation for chasing women and for brawling; he was not popular among his peers, but he had one redeeming feature – he loved dogs.

Arno was a standard Schnauzer, and was Flynn’s constant companion, accompanying him on all his film sets, barking loudly and happily whenever the director cried “cut” and he knew that the filming was over and he could have the attention of his beloved master.

The actor was rarely seen without the dog by his side.

He would also accompany Flynn on his yacht, where he would entertain himself chasing flying fish.

Unfortunately, this game proved to be his undoing. In August 1945, it is believed that he jumped overboard after a fish when no one was about. By the time his disappearance was noticed, it was too late to save him, despite Flynn’s hiring several boats to search.

Arno’s body was washed up near Balboa, California some three days later. The actor arranged for the coastguards to give the dog a naval burial at sea.

Overcome with grief, Flynn did not have the courage to claim the dog’s body immediately it was discovered.

This caused a Hollywood gossip columnist, Jimmy Fidler, to write a scathing report claiming that the actor didn’t really care about the Schnauzer.

Notorious for his temper, Flynn was enraged. He got drunk, then went after the reporter. When police arrived Fidler had been beaten unconscious, and his wife had stabbed Flynn in the ear with a fork.

One of Errol Flynn’s biographers claimed that the actor loved Arno more than any human in his life.

There is a pic of Arno with Errol with this article on this page:

— Mary Ann

 
 

We Welcome New Author Mary Ann Hearn to The Errol Flynn Blog!

06 Sep

We are so pleased to announce New Author Mary Ann Hearn to The Errol Flynn Blog! Mary Ann, we look forward to more of your great comments and posts!

— David DeWitt

 

We Welcome New Author Dennis Mullen to The Errol Flynn Blog!

06 Sep

We are pleased to announce our newest Author, Dennis Mullen, to The Errol Flynn Blog! Dennis is the renowned owner/operator of the famed Havana Writer’s Retreat– we look forward to Dennis’s participation on the blog! In the future, Dennis has planned a special Flynn related getaway for both Havana and Jamaica “In Search of Errol Flynn!“,..and I’m looking forward to hearing all about the details…


— David DeWitt

 

British movie magazine! Year? Btw for 3 pence = 3d or a thrupenny bit the price of this magazine one could buy a great sandwhich for the same price.

05 Sep

— Tina

 

I wonder what story is in this magazine about Errol? It says “September” but not what year? This magazine refers itself as “The Magazine for Men” – interesting! Has anybody got this magazine? It is confirmed, this issue is from September 1962!

04 Sep

— Tina

 

One more Berlinale Rock'n'Roll

03 Sep

— Inga

 
 

03 Sep

Would anybody have information where and when they were taken?

— Inga

 

03 Sep

I found this and the next one in a magazine and was pretty touched by them.

— Inga

 

One more video

03 Sep

Here's another video about Errol's Cuban adventures:

archives.cbc.ca/politics/international_politics/clips/7370/…

— Inga

 
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The William Tell Story!

03 Sep

This is an interesting cover as this story originates in “Cinema Retro” #16 – 2010 (The essential guide to movies of the 60' &70's).
Tony Earnshaw writer for “Cinema Retro” wrote a six page article with wonderful pictures of  Errol Flynn's making and failing of  “William Tell”. This story in 2010 was due to Jack Cardiff and Errol's extraordinary efforts to bring this movie into being. The article covers  the interview with Jack Cardiff by Tony Earnshaw just shortly before his passing in 2009.

Some maybe unknown details of the making of the movie!

Only 30 minutes of footage was completed on this film before the project
was abandoned. Had it been completed on time it would've been the first
independent movie filmed in CinemaScope.

Errol Flynn exhausted
almost all of his personal fortune ($500,000) in making this film, which
he envisioned as his comeback. The Alpine village that Flynn had constructed as the set for the film
remains today and is a tourist attraction in Europe.


Originally, Errol Flynn was to produce this film with Alexander Salkind (Pakal
Film). Failing to find further funding, Salkind signed over his portion
of the contract to Tony Roma (PAI Produttori Associati Italiani &
Roma Film), who in turn signed his contract over to Count Alfonso Fossataro of
Junior Film. The film fell apart when Fossataro did not live up to his
end of the contract.

Village sets were to be built at Cinecitta Studios in Rome, but were
eventually built on location in and around Courmayeur.


— Tina