April 1, 1939
How many celebrity passengers can you name?
— Tim
Honeymoon Over Miami Way
March 28, 1938
Jimmy Starr
Although maritime laws permit a captain to perform a perfectly legal marriage ceremony, it isn’t as easy as it might sound. There are certain official papers that a seaworthy captain must have.
Of course, Errol Flynn is the captain of his yacht, but that doesn’t alone give him the right to tie the holy bonds of matrimony, as he was informed by local maritime officials.
And that revelation somewhat changes the marital plans of Gertrude Hemmer and Ralph Cobley, Miami friends of Errol’s, who planned to have the Warner star perform the wedding ceremony for them aboard his new yacht, which stops over at the southern city en route to Hollywood. The couple will be married on shore and will spend a brief honeymoon aboard Flynn’s boat.
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Miami Beach 1938
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Miami 1938
— Tim
March 21, 1949
Harrison Carroll
Evening Herald Express
Errol Flynn now talks of writing a part for Greer Garson in his screen story, The Last Buccaneer, I don’t know how much importance to attach to thecwarm new friendship of Errol and Greer, but I keep hearing that her romance with Buddy Fogelson is cooling, and she and Flynn certainly do have a good time together.
Greer has a lively sense if humor. On the last day of The Forsythe Saga, she and Flynn were doing a scene in a buggy. Greer had Errol’s side of the buggy wired. When she pressed a button, he went up in the air like he had been stuck with a pin.
The cast and crew had their “end of the picture” party a Chinese restaurant in Culver City.* Greer presented Errol with a gag-gift – red wig, beard and eyebrows to wear in England so the fans won’t recognize from him. Among other things, Errol presented Greer with two big kisses right in front of everybody.
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Perhaps Errol used that re-beard. gag-gift on the set of Kim!
Mrs. Miniver had maximum talent…
* In days of old in the Golden State, pre-corona v., Californians could dine-in at Chinese restaurants in Culver City.
— Tim
March 16, 1949
Harrison Carroll
Evening Herald Express
After saying he wanted to stay away from Hollywood for a long time, Errol Flynn now talks of returning from Europe in a month.
This is more or less a shot in the dark, Buddy Fogelson had better watch out.
People predicted that Errol and Greer wouldn’t get on in The Forthsyte Saga. Just the contrary happened. They got along famously and Greer thinks Errol is tops.
I know that she was up to his house for a small dinner party Sunday.
Now, wouldn’t that combination be something? And, don’t forget, Errol is partial to redheads.
…
Errol had a small window of time to romance gorgeous Greer Garson, who had just ended an odd marriage with the allegedly “morose” neysayer, Richard Ney (who was twelve years younger and looked a touch like Sean Flynn did in the early Sixties), followed by the very tame and wealthy Texas wildcatter, Buddy Fogelson.
So, here’s Greer, with Dick Neysayer, Errol Swashbuckler, and Buddy Wildcatter (sporting a Flynn-pencil-thin-like stache, but very thin on the Flynn panache):
— Tim
Dear fellow Flynn fans,
the most gentlemanly stuntman of Errol was Patrick “Paddy” Crean. He doubled him in “The Master of Ballantrae” and “Against all flags”. An accomplished actor in his own right later in life with roles in “War and Peace” alongside Henry Fonda and Audrey Hepburn and in “The naked Maya” with Ava Gardner, he is mostly remembered for his superb swordmanship. Until today a flagship workshop called “the Paddy Crean” is held in his honour in Canada. He reminisced about about Flynn fondly in his hard to find autobiography “More Champagne Darling” and gives quite an insight into the ill fated adventure (film) “The Story of William Tell”, where he was to appear as partisan pesant. The song in the end of the clip is most pleasant for this class act choreographer naming both our Hollywood hero as well as this class act irish paesano.
Enjoy,
— shangheinz
February 27, 1939
Louella Parsons
Los Angeles Examiner
How would you like to see the dashing Errol Flynn play the equally dashing Don Juan? Academy Award winning producer Hal Wallis is plotting such a story as a follow-up to Robin Hood. He will not use the Lord Byron material, but will base The Adventures of Don Juan on a story by Bess Meredyth wrote when she was a Warner scenarist. Bess, who retired from active work to enjoy her ranch, will do a rewrite job with Roland Leigh. Of course it will be a Michael Curtiz picture.
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Though rarely remembered today, Bess Meredyth was a brilliant talent, maybe even a greater talent than Michael Curtiz, her husband from 1929 to his death in 1962. She often helped Curtiz on his projects, particularly with writing and rewriting, explaining, I suspect, why a man so infamously challenged by the English language could turn out such masterfully scripted films. Bess was behind the scenes. She was a very accomplished vaudevillian, film actress, musician, comedienne, business women, and screenwriter. Her many friends and colleagues in the industry included Bundy Drive Boys Gene Fowler and John Barrymore. She was reportedly a big help to Barrymore during his Hollywood years. (Notably, she also wrote the screenplay for Barrymore’s Don Juan, released in 1926 and featuring more kisses than any other film in history, 127 at last count.)
Here’s looking at you, Bess:
— Tim
In 1945, one of Errol’s favorite leading ladies confided in Dolores Moran that the greatest lovemaker she ever had was not Errol Flynn, but, rather, another Hollywood celebrity.
Who was the leading lady?
Who was the purported superior lovemaker?
What were the circumstances of that hard-to-believe revelation?
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Clues to Use
It was whispered into Miss Moran’s ear in the leading lady’s studio dressing room (dressing room no. 7) during the filming of a Warner Brothers movie.
There’s a good chance Raoul Walsh was there also, and almost certainly he knew what was whispered, though unlikely he actually heard it.
Errol traveled many thousands of miles with this alleged lovemaking competitor, prior to and subsequent to this dubious disclosure.
h
— Tim
February 22, 1935
Jimmy Starr
Evening Herald Express
Margaret Lindsay’s heavily bandaged wrist, a badly wrenched shoulder, and several black and blue marks all the cause of an overly-enthusiastic newcomer to the screen, handsome Errol Flynn, Irish actor, brought here from England by Warner Brothers.
When Mr. Flynn was cast in a small role in The Case of the Curious Bride, his first scene was with Miss Lindsay. He was to grab here and fake a terrible struggle. Mr. Flynn, ex-gold miner of New Guinea, pearl-fisher of the South Seas and boxer in the Olympic Games of 1928, suddenly became much too realistic in his handling of the fair heroine.
Director Michael Curtiz, enjoying the excitement of the splendid struggle, was too engrossed in getting action in his pifture to stop the rough treatment of his star. At the finish of the scene, however, Maggie was rushed to the studio hospital, where she was treated for severe bruises and her sprained wrist.
It is needless to say that Mr. Flynn has been warned to curb his “realism” in the future.
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February 23, 1935
By Peter Pry
Behold Them Minus Hokum
Hollywood Citizens News
Errol Flynn, the he-man Irish actor under contract to Warners who previously was an Olympic Games boxer, does not entirely realize his strength. For a scene in The Case of the Curious Bride he was told to grab Margaret Lindsay by the wrist and throw her across the room. He did as he was told. Margaret landed 12 feet away. Her hand and arm began to swell with alarming speed. First aidcarrived and the swelling members were taped up. But director Michael Cuttiz said it was a wonderful scene.
— Tim