“In London, Thomas Blood, an Irish adventurer better known as “Captain Blood,” was captured attempting to steal the Crown Jewels from the Tower of London.
Blood, a Parliamentarian during the English Civil War, was deprived of his estate in Ireland with the restoration of the English monarchy in 1660. In 1663, he put himself at the head of a plot to seize Dublin Castle from supporters of King Charles II, but the plot was discovered and his accomplices executed. He escaped capture. In 1671, he hatched a bizarre plan to steal the new Crown Jewels, which had been refashioned by Charles II because most of the original jewels were melted down after Charles I’s execution in 1649.
On May 9, 1671, Blood, disguised as a priest, managed to convince the Jewel House keeper to hand over his pistols. Blood’s three accomplices then emerged from the shadows, and together they forced their way into the Jewel House. However, they were caught in the act when the keeper’s son showed up unexpectedly, and an alarm went out to the Tower guard. One man shoved the Royal Orb down his breeches while Blood flattened the Crown with a mallet and tried to run off with it. The Tower guards apprehended and arrested all four of the perpetrators, and Blood was brought before the king. Charles was so impressed with Blood’s audacity that, far from punishing him, he restored his estates in Ireland and made him a member of his court with an annual pension.
Captain Blood became a colorful celebrity all across the kingdom, and when he died in 1680 his body had to be exhumed in order to persuade the public that he was actually dead.”
Americans of all walks of life were banded together to support the war effort, and Hollywood celebrities were no exception. This was the reason that on September 3, 1942, famed actor James Cagney, known for his energetic performances, and deadpan comic timing, visited Libertyville as part of an effort to sell war bonds. Drawing a crowd of some 4,000 at Cook Park (according to the 194o census the population of Libertyville was 3,930) Cagney gave a speech about the virtues of supporting the war effort by buying war bonds. It must have been a very inspiring speech since by the time he left the steps of the Cook Memorial Library, which was at the time located in Cook House, the town had pledged nearly $111,000.
As a reward for the town’s patriotism, Liberty was chosen to be the location of the world premiere of “Desperate Journey”, a film about a group of downed Allied airmen making their way out of Nazi Germany staring Errol Flynn and (Future President) Ronald Reagan. As part of the ceremonies, then Illinois Governor Dwight H. Green drove a horse-drawn carriage, loaned to him by publishing magnate John F. Cuneo, up Milwaukee Avenue.
“At Warner Bros. from 1929 to 1949, he wrote, not for the masses, but for a film’s producer who wanted a song for a comedy or a western, or a drama or a musical. Take, for example the 1945 film San Antonio, starring Errol Flynn and Alexis Smith. He and his lyricist partner, Ted Koehler, quickly created a lovely ballad called “Some Sunday Morning.”
“The film was an instant hit. So was “Some Sunday Morning.” It was Flynn and Smith’s romantic theme song. Every time the two appeared on screen, the melody played in the background, courtesy of the film’s composer, Max Steiner. Smith sang it in a large production number set in the local saloon.”
“As early as January 5, 1946, the song made Billboard’s “Honor Roll of Hits,” a list denoting America’s top tunes. It charted at Number 9. Sales of sheet music were also excellent: for 14 weeks, the song was in the top five. And early in 1946, the song was nominated for an Oscar for Best Song.”
Some Sunday Morning”
What initially brought Jerome great fame and success, however, was “Just a Baby’s Prayer at Twilight”, a song he wrote during World War I – once contemporaneously called “the greatest constructed song ever published.”
“Moe had high hopes for a particular melody he wrote, a kind of lullaby he often hummed when he put his young son to sleep. But he wanted this song to be a statement about the cost of the war, what it did to those left behind.”
“Just a Baby’s Prayer at Twilight (For My Daddy Over There)”