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Errol Flynn Mailbag …

14 Mar

We received an email from “Katharine Lazarski” containing only a link and her name under it. Without thinking, I clicked the link, and an “Update” was downloaded onto my computer instantly. My virus software immediately quarantined the update as a virus. I then deleted it. Somewhere along the line Katharine or someone else with our email address has downloaded this malicious update, and sent it out to everyone in their contact list. If you get this email, please delete it immediately!

— David DeWitt

 
 

SEAN FLYNN’S “DUEL AT THE RIO GRANDE”(“IL SEGNO DI ZORRO”) 50TH ANNIVERSARY

07 Mar

Back in 1961 when Sean Leslie Flynn embarked on his cinematic career, he joked that after he did “The Son of Captain Blood” he would do the “son of Zorro”. Not quite, but the producer of “TSOCB”, Harry Joe Brown  did sign Sean up to do “Il Segno di Zorro” (translation: “The Sign of Zorro”). In this film (which had its initial European release in 1963) Sean got to display his athletic skills and prowess at fencing and horsemanship and he did a better acting job here than in his freshman outing. In my article, “The Forgotten Films of Sean Flynn” I stated (at least in my opinion) that Sean seemed to be channeling Errol and his performance was enjoyable to watch. As a matter of fact some of his dueling scenes could rival similar scenes in Errol’s “The Prince and the Pauper”.   The film was popular throughout Europe and was released in most countries as a Zorro film. But because of copyright issues (Disney had released a film titled, “The Sign of Zorro” in the US in 1960), any reference to Zorro was excised from the English language print. (There weren’t many, as the film only used the Zorro motif as a symbol (using “the sign of Zorro”)  and the character isn’t even called Zorro throughout its run.) Thus the film under the title, “Duel at the Rio Grande” was released in 1964 in Great Britain on a double bill with a remake of Maria Montez’s film “The Siren of Atlantis”. (This time under the title of “The Lost Kingdom”).  The film received little (if any) theatrical release in the US due to the copyright issue and was sold to television syndication in 1968 where it played in some markets as time filler in the afternoon and late nights before disappearing. When the video boom of the eighties took off, the film was released on home video in Finland, where it was released with Finnish subtitles. As edited, “Duel at the Rio Grande” is almost a completely different film from “Il Segno di Zorro”. “Duel at the Rio Grande” like most of Sean’s films is not available in the US on legitimate home video. (Il Segno di Zorro” has been released in German, French and Spanish.) You can catch it on YouTube as “The Sign of Zorro” and judge for yourself.–A. R.

[Sean’s costume in the movie remarkably resembles the cover illustration from the 1958 paperback edition of the “Mark of Zorro”. (see below)

— ILIKEFLYNN

 
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March Rock-itt Magazine now online!

07 Mar

The March Issue of Rock-itt Magazine is now available:

The Rock-itt Magazine

Robert Florczak’s fascinating Movie Locations Then & Now, and the other continuing series Hobart to Hollywood are ready for your reading pleasure!

— David DeWitt

 
 

My Home At Bella Vista

05 Mar

In the 1980s I was privileged to have lived on John Barrymore’s estate, Bella Vista. When Flynn came to Hollywood he searched out Barrymore. When I came to Hollywood I searched out Flynn–or his footsteps, to be precise–and, in a strange, circular coincidence ended up in Barrymore’s home. Here is a photo collection of the house from my days there (and one more recently). It was a magical time….

1) The Bella Vista sign, now long gone, having been cut down. But by whom?

2) The road up to Bella Vista

3) The former aviary, seen from the road

4) Around the bend to my house, passing Ryan O’Neal’s place, also part of the original Barrymore estate

5) My house, high up on the property

6) A closer view, with the bedroom balcony at the top and the veranda below it

7) The stairs to the house–a long climb! (recent photo with the large Eucalyptus cut down)

8) The first flight up

9) The view from the veranda over Beverly Hills. Many a wonderful afternoon and evening were spent on that veranda, which was especially lovely at night with all the twinkling lights below. I was living there on the occasion of Barrymore’s centennial and raised a drink to him that evening on that veranda–sadly, he didn’t deign to grace me with a spiritual visitation! This view is now obscured by large Eucalyptus trees

10) The view across the road from me to the comedian Shelley Berman’s home, formerly the home of Edgar Bergen (Candice grew up there)

11) The door with Barrymore’s initials and serpent coat of arms

12) The coat of arms

13) Outside my bedroom, a view also obscured today by the overgrown foliage

14) The courtyard behind my house

15) The courtyard, a beautiful place to wander and dream of days long gone

16) Part of the main house seen above the courtyard

17) A path up to the main house

18) I loved it there, long ago when those days were closer to the days of Barrymore himself.

Enjoy!

My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   5) My House   6) Bella Vista 1   7) The Stairs   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   My beautiful picture   18) Good Days

 

 

— Robert

 
 

More “Charge of the Light Brigade” Then & Now….

03 Mar

….with my Mrs. standing in for Errol!

  CotLB LP3  CotLB LP2_1  COTLB14

— Robert

 
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More Then & Now from “Captain Blood”

03 Mar

Some extras from my photo session at Three Arch Bay in 2008….

CB5    CB9

— Robert

 
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The Sun Again Rises On Errol’s Old Habana Haunts

02 Mar

images-1

More than fifty years after Castro put the kibosh on (Mafia) mob operations in Cuba, the sun is now rising on The Capri and Salon Rojo, two of Errol’s old Habana haunts.

dailym.ai/1mPvQ0…

PC-Habana-395-1

— Tim

 
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Gretna Green Wedding Chapel, Yuma, AZ. Then & Now

27 Feb

gretna 35Over the years the Gretna Green Wedding Chapel has moved locations around Yuma, Arizona, with at least one disappearing altogether. The actual chapel where Errol and Lili were married on June 19, 1935 still exists and is now a simple, unassuming private home. Because of the growth of foliage in the convening years, it was difficult to line up a single shot to correspond with the vintage photo, so two were required to offer an opportunity to make Then & Now comparisons. Both buildings in the early photo can be seen in current photos on either side of it.

It is apparent that the two buildings have changed very little, but what I find most fascinating is that it appears that the small young palm tree to the left of the chapel entrance in the vintage photo is now a fully grown palm seen in the same position in the current photo on the left. If so, it outlived not only the chapel but many of the marriages conducted at this very location–including that of Flynn and Damita.

Robert

— Robert

 
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“The Sea Hawk” Point Mugu, California

27 Feb

Sea Hawk:Pt. Mugu

— Robert

 
 

Author Steve Hayes on Jack Marino Radio Show!

23 Feb

NEW DATE and TIME – SUNDAY, February 23, 2014 at 7PM PST & 10PM EST Jack Marino Warriorfilmmaker Show on www.latalkradio.com… on Channel 2

TONIGHT – My guest is Steve Hayes, writer, actor, producer. Steve first came to Hollywood in 1949, stayed a brief time, then went back to Canada and returned in 1950 to stay.

Errol Flynn had promised to sponsor me, he says, but didn’t (typically) so it took me a little while to find one. I then began acting and got my first part at 20th century Fox (where I later was put under contract) in the movie: Bells on Their Toes.

Steve will talk about about Ava Gardner, whom he met at Errol Flynn’s house with her ex-husband, Mickey Rooney. He is pretty sure that was the first time he met her–though he did know Lana Turner well, and he says she also introduced me to Ava–but he says, that was when Ava said we’d already met at Flynn’s.

He will talk about various other movie stars who were in some way attached to her or that he met through her like Lana Turner, Sinatra, and Robert Taylor.

Steve has often told me he has never quite gotten fully over Ava, which is understandable. Sinatra never did either. But she was hard to love. She swore like few women he’d ever known–especially in an era when normal girls rarely swore.

Steve not only knew Lana Turner but worked on a film called Diana or that co-starred a young Roger Moore.

I met Rita Hayworth when I painted her house with my pal and house-painter, Dick Morris, he says. Later, he saw her again and they briefly talked About Hollywood, including about her being being a neighbor of Glenn Ford.

At Errol Flynn’s house he became friends with Ann Sheridan, the Ooomph Girl, who was one of Flynn’s buddies and romantic interests years prior. Steve actually punched out actor Bruce Cabot at a party at Flynn’s.

Ida Lupino was a close pal of Errol’s–I think they cared for one another, he says–and years later, she became a director (Thriller or Chiller) of a weekly TV show. Bob Middleton, Steve’s mentor, starred in one of these shows and Steve visited several days of shooting and talked at great lengths with Ida.

Steve’s birth name was Ivan Hayes, which He says “I soon changed to Steve Hayes because Ivan is Russian for John and the McCarthy/pinko, commie era was in full bloom and Fox insisted I change my name to something more American. I stole the name of Steve from my buddy, Mr. America Steve Reeves, who starred in European films like Hercules.”

Steve has kept a lot of notes for a book entitled:
“Once in Love With Ava.”

YOU CAN GO TO STEVE’S WEBSITE
www.stevehayes.org…

Show call in number: 1-818-602-4929

Jack Marino’s Warriorfilmmaker Show

if you miss the LIVE show you can always go back to the archive and hear it then

www.latalkradio.com…

Visit the BLOG site for the Radio show on warriorfilmmakers.com…

Write down your comments on the site.

iTunes

Thank you, Jack Marino

Steve “Ivan’ Hayes today and he is holding his 1949 acting head shot when he came to Hollywood.

IMG_11937949355329

— David DeWitt

 
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