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The Knights and The Baron — A Million Dollar Story

21 Apr

DENIES ACCUSATIONS

NEW YORK, April 21, 1937

Errol Flynn, film player, denied today in a telegram to the Knights of Columbus that he had engaged In activities in behalf of loyalist Spain. The telegram, addressed to John L. Rossborough, state deputy in Oakland, California, and Thomas B. Flanagan, secretary of the Los Angeles council, was made public here by Warner Brothers.

Catholic Opposition to Communism in Spain

“Catholics believed that communism was the antithesis to Christianity and thus the only way to save the soul of the country was to side with those opposing it. The archbishop of Toledo wrote to the American bishops in 1937 asking for support, stating that “the National army is defending the essential foundation of society.” The final straw that pushed Catholics to side with the Nationalists was the persecution of the Church religious. In total 12 bishops, 4184 priests, 2365 male religious, and 283 female religious were killed by the Republicans during the war.”

ACTOR DENIES SAYING STARS RAISED FUNDS

Report That $1,500,000 Given By Certain Film Players to Loyalists Claimed False

By United Press
HOLLYWOOD, April 21, 1937

An Interview with Errol Flynn In Barcelona Spain, in which the film actor and soldier of fortune purportedly told of helping raise a $1,500,000 fund in the Hollywood film colony to aid the loyalist forces, came under the scrutiny of the Knight of Columbus today. Thomas B. Flanagan, secretary of the Los Angeles council of the Knights of Columbus, said he was sending a report on Flynn to John J. Rossborough, state deputy of the order at Oakland, California, and to the national headquarters of the organization’s newly launched “antiradical” campaign at New Haven, Conn.

The purported interview was published in the Hollywood Reporter, a film trade paper. The Reporter stated the interview was filed to them by “our regular Barcelona correspondent.” The part to which the Knights of Columbus reportedly found most objection to follows:

SAYS FUND RAISED

“Is it true that money has been collected in Hollywood to help the Spanish government?’ asked the Reporter. “‘Yes,’ said the actor, ‘Fredrick March, James Cagney and I were the initiators and $1,500,000 has been raised so far”.” Flynn, husky film leading man and husband of Lili Damita, French actress, has been in Spain as a roving correspondent He was reported wounded by a machine gun bullet in dispatches from Madrid which later developed to be erroneous.

The Hollywood Reporter’s dispatch upon his arrival at Barcelona, strong loyalist headquarters, further stated: “When Errol Flynn arrived in Barcelona he was greeted by the “commissioner of public spectacles, J. Carner Rlbalta, who introduced him to the “commissioner of propaganda” of the Catalonian government, Jaime Miravitles, and the heart of the cinema section the same department, Juan Castanyer.

While in Barcelona, Flynn was considered a guest of honor of the Catalonian government and all facilities were accorded him. “In an interview with the press, Flynn said his visit to Spain was prompted by a desire to ascertain the truth regarding conditions here. “Asked by the press boys what was the general impression in the United States about the war, he replied: “That’s it, the confusing news and the fact that all the American press is in the hands of powerful trusts made me decide to take this trip to see with my own eves what is really happening and write a series of articles for publication.”

The dispatch ended:

“Flynn was accompanied by his old friend, Dr. Hermann F. Erben, a well known member of the American Communist party.”

Per the San Bernadino Daily Sun, April 22, 1937

— Tim

 

A Kiwi in Hollywood Hog Heaven

20 Apr

April 20, 1936

Harrison Carroll

Evening Herald Express

Errol Flynn and Lili Damita don’t intend to live all the time on the ranch where he expects to raise hogs. They are building a house -n the Laurel Canyon district. One of the most unusual houses in Hollywood, too, for it will be modeled after Flynn’s ancestral home in Belfast. Incidentally, did you know that Errol was not born in Ireland? It was New Zealand while his father and mother were on a scientific expedition.

— Tim

 

Insouciant Like Flynn

18 Apr

April 18, 1938

Sidney Skolsky Presents

Hollywood Citizen News

Errol Flynn and Warner Brothers are feuding, with Mr. Flynn having told the studio that he will return from his vacation when he feels like it.

_______

April 18, 2005

IN LIKE FLYNN

No film star ever bettered Errol Flynn in tights, but he was the soul of insouciance even when he wore a cavalry uniform or bluejeans. That’s the revelation of “Errol Flynn: The Signature Collection” (Warner Home Video), which features the athletic, rakish star not just as an inspired Sir Francis Drake take-off in the vivid “The Sea Hawk” (1940) and as an uncharacteristically stiff Earl of Essex in “The Private Lives of Elizabeth and Essex” (1939) but also as a gallant General George A. Custer in “They Died with Their Boots On” (1941) and as a gritty frontier sheriff in the colorful Western potboiler “Dodge City” (1939). The set includes a surprisingly frank biographical portrait, “The Adventures of Errol Flynn.”

But the key film in the set is the sweeping, ebullient swashbuckler “Captain Blood” (1935). Three years before he became the most dashing Robin Hood yet (in “The Adventures of Robin Hood,” available on a separate Warner DVD), the young Australian actor, in his Hollywood breakthrough, proved his panache at righting wrongs. In this film, based on Rafael Sabatini’s 1922 novel about seventeenth-century pirates of the Caribbean and directed by Michael Curtiz, Flynn is Peter Blood, a peaceful doctor who makes the mistake of treating a rebel during the tumultuous reign of King James II and ends up a slave in Jamaica. The ravishing Olivia de Havilland (Flynn’s frequent co-star) plays the feisty, sympathetic niece of the tyrannical British slave owner; Blood and a barracks full of enslaved rebels (good men all) make their escape by stealing a Spanish ship and becoming buccaneers.

Flynn combined aristocratic dash with rebel flair—in “Captain Blood,” he defies the ruling order with absolute confidence. At one point, de Havilland says, “I believe you’re talking treason.” Flynn replies, “I hope I’m not obscure.” (This exchange has a close echo in “Robin Hood,” when de Havilland exclaims, “You speak treason!” and Flynn responds, “Fluently.”) In his autobiography, “My Wicked, Wicked Ways,” Flynn wrote that “youthful and virile roles” like cowboys and swordsmen “require gusto and genuine interest—such as I had felt at the time I was making ‘Captain Blood’ and ‘Robin Hood.’ ” He’s right: in these movies, his exuberance irradiates the screen.

Published in April 18, 2005, print edition of The New Yorker.

— Tim

 

Going Places

17 Apr

April 17, 1935

Harrison Carroll

Lily Damita and Errol Flynn are still going places together.

_______

Here they are two months later, on June 16, at the Venice Amusement Pier, with Marlene Dietrich and Madonna (or perhaps that’s Carole Lombard?) Errol became “the talk of the town” for his immense popularity with the many women at the Tunnel of Love that night. Talk about going places, four days later he and Lili flew to Yuma. Then he flew into immortality.

— Tim

 

Errrol Interrrresting …

16 Apr

Young Errol Flynn at a Suez Canal Land Rush? Sounds like some sort of a flim-flam pyramid scheme!

April 15, 1936

Harrison Carroll

Errol tells me that his life story has had a favorable first reading by a publisher and that his agent has asked for a second copy to be submitted to the magazines. What excites the young Irish actor more, however, is the fact that Warner Brothers have bought one of his stories and will probably star him in it. The background is the land rush after the opening of the Suez Canal.

_______

Is this a between-takes candid of Errol in his Suez Canal biographical epic for Warner Brothers?

_______

— Tim

 

That’s LIFE

15 Apr

Drunk or Not So Drunk – That was the Question
_______

LIFE Magazine – April 1, 1939

“Last fortnight [Virginia City’s] population totaled 500, most of whom got so drunk that Warner Bros. curtailed its visit and hustled its valuable stars back to Reno’s safer streets.”

Famed Ghost Town of the Comstock Lode Awakens for the Premier of “Virginia City” – See page 32

_______

LIFE Magazine – April 15, 1939

No Black Eye for Errol

Drunks in Virginia City

SIRS:

THE UNDERSIGNED REPRESENTING THE PEOPLE OF VIRGINIA CITY DEMAND THAT YOU RETRACT AND APOLOGIZE IN YOUR NEXT ISSUE THE FOLLOWING ISSUE PUBLISHED IN IN APRIL FIRST ISSUE, PAGE 32: “LAST FORTNIGHT ITS POPULATION TOTALED 500, MOST OF WHOM GOT SO DRUNK THAT WARNER BROS CURTAILED ITS VISIT AND HUSTLED ITS VALUABLE STARS BACK TO RENO’S SAFER STREETS.” THE STATEMENT IS FALSE AND AN INSULT TO THE PEOPLE OF VIRGINIA.

WILL COBB, STATE SENATOR – THOMAS LYNCH, ASSEMBLY MAN

VIRGINIA CITY, NEV.

Editor’s Response: Thousands of visitors poured into Virginia City that day. Probably they were the ones that raised most of the commotion. The fact remains that what made the movie stars hustle back was the conduct of the patrons of the Virginia Theater where the stars were scheduled to make personal appearances. Said a U.P. dispatch to the New York Times: “So gala was the occasion that Manager Hart installed a bar in his lobby and served free whiskey and champagne to all ticket holders…. Manager Hart rushed new relays of case goods from the Bucket of Blood across the street.” When the Warner Bros. executives reached the theater, they decided the patrons were drunk, that the situation was too dangerous for them to risk their valuable stars. If Errol Flynn, for instance, had received a black eye from a flying bottle, it would have cost them $20,000 a day. So they took everybody back to Reno.

_______

LIFE Magazine – May 6, 1940

“Champagne in the Streets”

I read your issue of April 15 that Warner Bros.could not risk taking Errol Flynn et al into the Virginia City Theater because they decided “the patrons were drunk” and there was some danger Mr. Flynn’s being hit by a flying bottle.

I do not know who your informant is, but he or she s – to put it mildly – a liar. I was in that theater. My family was there. great many people I know were also there. There was no drunkenness and no disorderly conduct. Mr. Flynn would have been very much safer than he was in Reno.

True, Mr. Hart did dispense free champagne, but those who drank it were on the streets and not in the theater.

_______

Errol the Auctioneer, on the same stage used by Gentleman Jim Corbett, Mark Twain, Lillie Langtry, John Philip Souza, and Edwin Booth, among many other legendary greats

“Piper’s Opera House is a historic performing arts venue in Virginia City. It served as a training facility in 1897 for heavyweight boxing champion Gentleman Jim Corbett, in preparation for his title bout with Bob Fitzsimmons. The current structure was built by entrepreneur John Piper in 1885 to replace his 1878 opera house that had burned down. The 1878 venue, in turn, had been to replace Piper’s 1863 venue which was destroyed by the 1875 Great Fire in Virginia City. Mark Twain spoke from the original Piper’s stage in 1866, and again a century later in the third venue, as portrayed by Hal Holbrook in his one-man play Mark Twain Tonight! A lynch mob hung a victim from the first venue’s rafters in 1871. American theatrical producer David Belasco was stage manager at the second opera house before moving to New York City. Piper’s opera houses played host to Shakespearean thespians such as Edwin Booth. Musical performers Lilly Langtry, Al Jolson and John Philip Sousa once performed here. In 1940, Errol Flynn auctioned off historic Piper memorabilia from the opera house stage, during a live NBC broadcast that coincided with the premiere of Flynn’s new movie Virginia City.”

— Tim

 

Look

15 Apr

April 12, 1938

Lovers on the Cover!

— Tim

 

Diary of the Santa Fe

14 Apr

There were railroads and then there was the Santa Fe …

April 14, 1939

Hollywood Citizen News

The Warner Bros. are not going to wait a year before setting to work on another epochal western picture. Success of Dodge City (it’s breaking records at the Strand in New York) hs encouraged the studio to start preparing at once Diary of the Santa Fe, film story of the railroad.

In addition to Errol Flynn, Olivia de Havilland, and Bruce Cabot, who were seen in Dodge City, the new picture will feature Buck Jones and Hoot Gibson, foremost western stars from away back. The saddle heroes almost overshadowed the other stars in attention from the public during the recent trek to Dodge City.

History and Importance of the Santa Fe Railroad …

— Tim

 

In Memoriam: Bud Ernst — Flynn’s First Buddy in Hollywood

14 Apr

He Died 70 Years Ago This Week

From My Wicked, Wicked Ways:

“It was the beginning of 1935. I bought a little car. Often I went for a spin with a big fellow named Bud Ernst.
He was six foot five, weighed about two hundred and fifty pounds. He was a flier, a fun guy.”

“He was my first and long-time friend in Hollywood. … We certainly had memorable times together in my early days behind the fog, smog, and grog curtain of Hollywood. How many words would you like on the shock a man gets when his dear friend, a roistering, Falstaffian ruffian, suddenly goes out, buys himself a 16-gauge double-barrel shotgun, some cartridges, and blows the top of his head off.”

Report in the New York Times, April 11, 1950

On June 20, 1935 – a date that will live in Flynnfamy – Bud flew Errol and Lili to Yuma to tie the knot. Five days following, he flew himself and Lyda Roberti to do the same.

One of Errol and Ernst’s “memorable times together in the early days”:Adventure at Asuncion Bay

Bud’s father, Hugh C. Ernst, was the brilliant business manager for the phenomenally successful bandleader Paul Whiteman, who had a major role in the 1924 first performance (by George Gershwin and the Paul Whiteman Orchestra at Aeolian Hall in New York) and subsequent popularizing of what many believe to be America’s most important musical composition, Rhapsody in Blue. After managing Paul Whiteman, he became a major executive with NBC. Through his father, Bud grew up “knowing everybody” in the world of music and radio.

Bud was director of the pioneering and hugely popular radio show “Queen for a Day”. Here’s one of the the show’s broadcasts, from February 1950, less than two months before Bud’s death:

Queen for a Day

— Tim

 

Raphael Millet’s New Article Five Ashore at Singapore Film, Sean Flynn!

13 Apr

A very detailed piece, great reading!


Thanks so much Raphael!

Raphaël Millet is a film director, producer and critic with a passion for early cinema. He has published two books, “Le Cinéma de Singapour” (2004) and “Singapore Cinema” (2006), as well as directed documentaries such as “Gaston Méliès and His Wandering Star Film Company” (2015), screened as part of the 2015 Singapore International Film Festival, and “Chaplin in Bali” (2017), which opened the Bali International Film Festival in 2017.

— David DeWitt