March 31, 1939
Harrison Carroll
Evening Herald Express
Lili Damita let Errol Flynn go on to the Dodge City preview trip alone. She and Dolores Del Rio are spending time at Palm Springs.
— Tim
March 31, 1939
Harrison Carroll
Evening Herald Express
Lili Damita let Errol Flynn go on to the Dodge City preview trip alone. She and Dolores Del Rio are spending time at Palm Springs.
— Tim
March 27, 1939
Evening Herald Express
Errol Flynn will bounce along in a $25,000 silver saddle for the rodeo at Dodge City. The history of the Santa Fe Trail is engraved on it.
“A mile long parade featured the actors and elected officials, including the governors of Kansas, Colorado and New Mexico. This was followed by a rodeo” at McCarty Stadium. Though there was not enough time to stage a full-fledged rodeo, the event inspired Dodge City to have its first real rodeo, the Boot Hill Roundup, later that year. This event has evolved into today’s PRCA’s Dodge City Day’s Roundup Rodeo.
For Those Who Want to be Dressin’ Like Flynn in a Long-Haired Beaver, Frontier Fur Felt Cowboy Hat!
— Tim
Honeymoon Over Miami Way
March 28, 1938
Jimmy Starr
Although maritime laws permit a captain to perform a perfectly legal marriage ceremony, it isn’t as easy as it might sound. There are certain official papers that a seaworthy captain must have.
Of course, Errol Flynn is the captain of his yacht, but that doesn’t alone give him the right to tie the holy bonds of matrimony, as he was informed by local maritime officials.
And that revelation somewhat changes the marital plans of Gertrude Hemmer and Ralph Cobley, Miami friends of Errol’s, who planned to have the Warner star perform the wedding ceremony for them aboard his new yacht, which stops over at the southern city en route to Hollywood. The couple will be married on shore and will spend a brief honeymoon aboard Flynn’s boat.
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Miami Beach 1938
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Miami 1938
— Tim
March 26, 1935
Errol Flynn, the husky Irish actor at Warners, gets his second film assignment. He will be see as a pirate with Robert Donat in Captain Blood. He is the first member of a supporting cast selected. Now it is uncertain if Jean Muir will have the feminine lead.
…
Midsummer Night Players: Ross Alexander & Jean Muir, Olivia DeHavilland & William Powell
Jean Muir – Why the 1930’s Warner Brothers Actress Left Film
— Tim
It’s overboard with the Sea Scout, but a wonderful day in the neighborhood for Fred Rogers and John Glover…
March 23, 1938
Harrison Carroll
Evening Herald Express
…The two young men who will accompany Errol Flynn on his cruise are John Glover and Fred Rogers, both of New York.
— Tim
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March 23, 1940
Frank S. Nugent
The New York Times
All the extravagant adjectives in the book, plus a few lalapaloozas especially constructed for the occasion, may be employed without challenge by the Warner Brothers in calling attention to their latest prospection in the epic vein, “Virginia City.” For such a bundle of action-melodrama, such an excess of old-time super-colossalisms has not been seen in years to compare with this veritable archive of familiar outdoor thrill tricks, now showing at the Strand.
Practically everything guaranteed by long experience to stimulate an audience’s excitement—everything except technicolor—has been utilized by the Warner workshop to contrive this two-hour Blitzkrieg upon the human nerves.
From the moment that Federal Captain Bradford and Captain Irby of the Confederate Army square off in a Richmond prison, you and they are in for it, with such successive episodes as an explosive escape from the prison, a fight atop a runaway stagecoach, the usual roistering in a frontier town saloon, an outlaw raid upon a covered-wagon train and the arrival of the United States cavalry to while away the time. There is even a last-minute pardon from the lips of President Lincoln.
Put together as it is from patches which have the well-worn look, it is inevitable that this story of an unsuccessful Confederate attempt to run gold from Virginia City during the last days of the Civil War should be strictly synthetic. There is something depressingly pat about the personal interludes. You just know the beautiful Confederate spy, who doubles as a dancing girl, will fall in love with the Union captain, that she will agonize between love and duty, that the end will be duly heroic.
And, as played by Errol Flynn and Miriam Hopkins, the leading roles become no less obviously carpentered. Mr. Flynn is about as mobile as a floor walker; Miss Hopkins recites her stilted lines by rote. Only Randolph Scott as the Confederate captain behaves as though he was actually on the spot.
But waving the individuals aside, which is what is usually done in outdoor thrillers, there is enough concentrated action in the picture, enough of the old-time Western sweep, to make it lively entertainment. After all, with such models for obvious reference as “The Covered Wagon,” “Stagecoach” and even a bit of “Gone With the Wind,” Director Michael Curtiz could hardly have missed.
— Tim
March 20, 1939
Louella O. Parsons
Los Angeles Examiner
If Errol Flynn fails to show up for his preview, Bob Taplinger is going to lose some money. Errol’s trusting P.A. is betting that he will be there, but knowing the Flynn temperament I wouldn’t want to do any wagering myself. Errol doesn’t have to be back in Hollywood until May, when he plays Essex to Bette Davis’ Elizabeth.
Another change in the schedule has put The Knight and the LadyThe Miracle. You’ll see Claude Rains as Bacon, poet laureate of the Elizabethan era. It will all be in Technicolor. Bette’s first. This Queen Elizabeth is based on Robert Sherwood’s “Elizabeth the Queen”.
— Tim
March 21, 1949
Harrison Carroll
Evening Herald Express
Errol Flynn now talks of writing a part for Greer Garson in his screen story, The Last Buccaneer, I don’t know how much importance to attach to thecwarm new friendship of Errol and Greer, but I keep hearing that her romance with Buddy Fogelson is cooling, and she and Flynn certainly do have a good time together.
Greer has a lively sense if humor. On the last day of The Forsythe Saga, she and Flynn were doing a scene in a buggy. Greer had Errol’s side of the buggy wired. When she pressed a button, he went up in the air like he had been stuck with a pin.
The cast and crew had their “end of the picture” party a Chinese restaurant in Culver City.* Greer presented Errol with a gag-gift – red wig, beard and eyebrows to wear in England so the fans won’t recognize from him. Among other things, Errol presented Greer with two big kisses right in front of everybody.
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Perhaps Errol used that re-beard. gag-gift on the set of Kim!
Mrs. Miniver had maximum talent…
* In days of old in the Golden State, pre-corona v., Californians could dine-in at Chinese restaurants in Culver City.
— Tim